Start with Mâtîrja (Ancestral Mothers), her nine-track album from April 2026. It is her most recent full album, and its compact length makes it the easiest way to hear who she is now: a singer, songwriter, and instrumentalist whose work moves between sacred chant, world music, dream pop, and folk. Nine tracks is an evening's listen. Play it start to finish, ideally without doing anything else.
"Darkness to Light" (single, March 2026) is a one-track follow-up, useful for hearing how she handles a single idea at length without the context of an album.
"Oshun" (single, June 2025) is a good next step. Its title names a river deity, which fits her interest in indigenous wisdom and nature-centered devotion. Listen to it after Mâtîrja and notice what carries over.
Jaya Bhagavan (2005) takes you back to her chant roots. This is the record that grew out of her time with Jai Uttal and his Pagan Love Orchestra, where she came to Sanskrit mantra. If the chant side of her work is what drew you, go here before anything else in the back catalog. After that, Bridge to Vallabha extends the territory with songs in Sanskrit, Hebrew, Gurmukhi, and English.
Expect a warm, unhurried acoustic sound built around her voice and guitar. Her mother was a concert pianist and opera singer from South Korea, and her classical training shows in the control and clarity of her singing. Her folk side comes from learning guitar by listening to Joni Mitchell, Joan Baez, Ani DiFranco, and Alison Krauss. Expect devotional material, repeated phrases, and languages you may not speak. The music invites you to settle in, not to follow a plot.
Treating it as background music. It works as ambience, but the repetition in chant is the point. It does its work when you actually participate or listen closely.
Assuming it is all one genre. Her catalog covers chant, folk, dream pop, and singer-songwriter material. A chant track and a folk song can sit side by side, and people who expect only one are surprised by the other.
Needing to understand the language. Sanskrit, Hebrew, and Gurmukhi lyrics can feel like a barrier. They are not. Listeners often hum along first and look up meanings later, or never.
Skipping the short, practical work. SONIC OASIS: 3 Minute Stress Relief Songbook (2024, 26 tracks) looks like a wellness filler piece, but it is a deliberate tool: short pieces meant to be used in the middle of a day.
It tends to land during transitions and strain: a stretch of high stress, a loss, a move, or a period when you are rethinking what you believe. She says on her website that she attributes her sense of well-being to chanting mantra, and her music is built for people looking for steadiness more than excitement. It also lands for those drawn to ancestry and lineage, which is the territory Mâtîrja (Ancestral Mothers) covers directly. People who already meditate often find it slots naturally into practice.
Day 1: Listen to Mâtîrja (Ancestral Mothers) straight through, in the evening, with no other task.
Day 2: Play "Darkness to Light" in the morning, once, and notice your mood afterward.
Day 3: Play "Oshun" while walking or doing something simple with your hands.
Day 4: Take one track from SONIC OASIS: 3 Minute Stress Relief Songbook at a stressful moment in your afternoon. Pick another if the first doesn't suit you.
Day 5: Start Jaya Bhagavan. Pick one chant and sing along, even badly, for ten minutes.
Day 6: Return to Mâtîrja. Compare how it sounds now to Day 1.
Day 7: Listen to the newest single, "Honor Way" (May 2026), and decide what to keep going with. If the chant work held you, move on to Bridge to Vallabha. If the songwriting did, explore the rest of her self-produced catalog, including The Silent Awakening and The Lost Frontier.
If you want a deep dive afterward, Sueña Con Los Angelitos (2024) is a 33-track compilation, best saved for once you know what you like.
