"Haseya" is a kirtan recording by Ajeet, a devotional chanting piece released in 2016 as part of the album of the same name. Produced by Maneesh De Moor and distributed through Spirit Voyage Records, this work represents sacred sound practice rooted in kirtan traditions—call-and-response devotional singing that has deep roots in bhakti yoga and contemplative spirituality. The piece invites practitioners and listeners into mantra-based exploration and the use of sacred sound for meditation, healing, and spiritual connection.
Kirtan is a form of call-and-response devotional chanting that originates from bhakti traditions in Indian spirituality. In kirtan practice, a lead vocalist calls out sacred names, mantras, or phrases, and participants or the audience responds, creating a collective sonic and energetic experience. The practice is not primarily about performance or entertainment, but rather about creating a shared container for spiritual practice and opening the heart through sound.
The function of kirtan extends beyond musical experience. When practitioners engage with kirtan, they are working with sound as a tool for meditation and transformation. The repetition of sacred names and mantras creates a rhythm that can anchor attention, quiet the mind, and facilitate states of deeper awareness. In traditions like Sikhism and various Hindu bhakti schools, kirtan is understood as a direct practice of remembrance—keeping the sacred present in consciousness through vocalization and listening.
Sacred sound, or mantra, is understood in contemplative traditions as vibration that carries both meaning and subtle energetic qualities. When a mantra is chanted or sung, it is not simply the intellectual meaning of the words that matters; the sound itself—its frequency, rhythm, and the intention with which it is vocalized—is considered to have effect on the nervous system and consciousness.
Neuroscientific research has begun to explore what contemplative traditions have long taught: that repetitive vocalization of sacred syllables can downregulate the stress response, increase parasympathetic tone, and create measurable shifts in brain activity. The practice of mantra chanting can slow heart rate, deepen breathing, and create coherence between different regions of the brain. Beyond measurable physiological effects, practitioners report experiences of expanded awareness, emotional opening, and a sense of connection to something larger than individual self.
The call-and-response structure of kirtan is not incidental to its spiritual function—it is essential. When one person leads and others respond, a field of participatory consciousness emerges. Participants are not passive listeners but active co-creators of the sonic and spiritual experience. This structure naturally fosters a sense of unity and interconnectedness, breaking down the isolation of individual practice into something collective and relational.
The responsiveness required in kirtan also keeps practitioners present. Unlike sitting meditation where the challenge is often to manage a wandering mind alone, in kirtan the external stimulus of waiting for one's moment to respond, and the rhythm of call-and-response, naturally anchors attention in the present moment and in connection with others. This participatory structure makes kirtan particularly accessible for people who find formal meditation difficult or isolating.
Ajeet is a kirtan artist and vocalist known for bringing devotional chanting into contemporary spiritual contexts. The recording "Haseya" was produced by Maneesh De Moor and released through Spirit Voyage Records in 2016, with support from A&R administrator Ram Dass Khalsa. Spirit Voyage is a label dedicated to recording and distributing kirtan, mantra music, and sacred sound practices, making these traditions accessible to contemporary audiences.
The collaborative nature of this recording—involving producer, label, and administrator—reflects how kirtan and sacred sound practice has been integrated into modern spiritual infrastructure. While kirtan has ancient roots, contemporary kirtan artists and labels work to preserve and share these practices in forms that resonate with current listeners, whether through digital platforms, recordings, or live events.
Kirtan recordings can be used in several ways within a spiritual practice. Some listeners use kirtan as background music during meditation or yoga practice, allowing the sacred sound to create a supportive atmosphere without requiring active participation. Others listen to recordings as a form of meditation in itself, focusing attention on the sound, the names being called, and the rhythmic patterns.
For those seeking more active engagement, recordings can inspire one to attend live kirtan events or to begin their own chanting practice. The experience of listening to accomplished kirtan artists can attune the ear and heart to the practice, serving as a gateway to deeper involvement. Some practitioners incorporate specific kirtan phrases or mantras heard in recordings into their daily meditation or movement practices.
The accessibility of kirtan through digital platforms like YouTube (where this recording has garnered over 4.2 million views) makes these sacred practices available to people around the world, regardless of geographic location or access to live spiritual teachers. This democratization of kirtan reflects both the adaptability of these traditions and the contemporary hunger for spiritual practice rooted in sound and devotion.
If you are drawn to kirtan and sacred chanting, consider exploring other recordings from Spirit Voyage Records or other kirtan artists to find the voices and styles that resonate with your own practice. Research the specific mantras or names being chanted and their traditional meanings—this intellectual knowledge can deepen your engagement with the sound. If possible, attend a live kirtan event in your area to experience the collective, participatory dimension of the practice that recordings, while valuable, cannot fully replicate. Most importantly, approach kirtan not as passive entertainment but as an invitation to active spiritual participation, allowing the sacred sound to work with your own awareness and intention.
