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Inspiration

What It Means to Be a Man: Healing the Masculine Wound

Robert Bly
Robert Bly
May 4, 2012
9 min read
Watch · 6

In this 1990 interview with Bill Moyers, poet Robert Bly traces the roots of modern male confusion to the Industrial Revolution, which physically separated fathers from sons and eliminated the traditional male initiators who guided young men into manhood. Bly argues that around age 35, men discover that the masculine models given to them in adolescence (Eisenhower, John Wayne) no longer serve them, and they encounter grief, loss, and a lack of knowledge about what authentic masculinity means. He explains how men's gatherings function as spaces where this unacknowledged grief can surface and where men can learn from one another to reconstruct a mature male identity rooted in emotional awareness, initiation from elders, and connection to both the inner and outer worlds.

Read · 8 sections

How Did the Industrial Revolution Change Male Development?

Bly identifies a historical rupture in how boys become men. In traditional cultures and pre-industrial societies, sons remained physically close to their fathers, absorbing knowledge about farming, craft, and the male mode of being through constant proximity. "When you stand physically close to your father something moves over that can't be described in material terms," Bly explains. This transfer of what he calls "food from your father's body"—a spiritual and embodied transmission—formed the foundation of masculine identity.

The Industrial Revolution fundamentally altered this arrangement. Fathers left the home to work in factories and offices, severing the daily physical contact through which masculine knowledge passed. According to Bly, the average American father now spends approximately ten minutes a day with his son, and half of that time is spent telling the boy to clean his room. This shift did not equally damage the mother-daughter relationship because mothers and daughters continued to live in proximity, and mothers received knowledge of the female mode of feeling from their grandmothers and great-grandmothers in an unbroken chain. By contrast, the post-industrial male receives no comparable transmission from his father about what the male mode of feeling actually is.

What Happened to Male Initiators?

In traditional cultures, boys were not initiated into manhood by their fathers—too much psychological tension exists between father and son for that role. Instead, older unrelated men served as initiators: family friends, uncles, grandfathers, or respected elders from the community. These initiators had no investment in the boy's compliance with paternal authority and could therefore offer genuine teaching about masculine maturity, responsibility, and the passage into adulthood.

As industrialization progressed and community structures weakened, these initiators disappeared. The entire burden of male initiation then fell to the father—but the father was absent, working at an office. Bly describes the result as a civilizational failure: without fathers present and without alternative male guides, boys reach adolescence and early adulthood without ever being formally or informally inducted into the masculine realm. They are left to navigate masculinity based on media images and peer pressure rather than embodied wisdom from mature men.

Why Do Men Feel Lost Around Age 35?

Bly distinguishes between the models of manhood offered to boys in high school—Eisenhower, John Wayne, the warrior and the leader—and the reality of adult male life. These images work until approximately age 32 or 33. Then something shifts. Men notice that the template no longer fits: something is failing in their business, their private lives, their relationships. A man may deny this (saying "I'm doing fine" even while bleeding), but around 35 the old masculine blueprint becomes visibly inadequate.

At this threshold, a man must choose: either continue to cling to an adolescent image of masculinity that no longer serves, or undertake the difficult work of discovering what mature manhood actually requires. This moment often brings grief—the grief of recognizing that the garden he was given to tend (to use Machado's metaphor in the Antonio Machado poem Bly quotes) has withered. "The wind one brilliant day called to my soul with an odor of Jasmine… the wind said 'well then I'll take the withered pedals and the yellow leaves,'" the poem reads. Bly notes that this feeling doesn't arrive until men reach their mid-thirties, and it shakes the foundation of identity.

What Is the Unacknowledged Grief That Men Carry?

Bly emphasizes that there is "a lot of pain and grief around men these days" that remains largely unspoken. Men have been taught not to feel, not to cry, not to admit confusion or loss. This unacknowledged grief traces back roughly 140 years to the Industrial Revolution—it is cumulative, passed down through generations of fathers who themselves never received proper initiation or emotional modeling from their own fathers. Each generation of men inherits the wound of separation and the shame of not knowing what it means to be male.

Unlike women, who have constructed elaborate social networks to share experiences and wisdom (particularly through the feminist movement, which has given women language and community around their experiences), men have largely suffered in isolation. A man may feel that he alone is confused, that he alone has failed to maintain the masculine image, that he alone is weak or lost. The gatherings Bly describes serve to dispel this isolation by revealing that the grief is collective and systemic, not individual failure.

Why Are Men's Gatherings Necessary?

Bly makes clear that these gatherings are not a reaction against the women's movement or an attempt to restore a "destructive aggressive and dominating masculine personality." Rather, they emerge from a sense of loss and a faint sense of hope—the hope that men can learn from one another and collectively reconstruct what it means to be a man in the modern world. "There is something optimistic about the very willingness of men to learn from one another through sharing their confusion," Bly observes.

In gatherings like the one filmed in Austin, Texas, men come together to acknowledge what they've been taught not to speak: that they are confused about their roles, that they carry loss, that they need guidance from older men, that they want connection with their fathers (whether their biological fathers are available or not). These gatherings create space for the ritual, storytelling, song, and witnessing that traditional societies provided through formal initiation ceremonies. The presence of other men—particularly older men—offers what industrialization stripped away: the lived example that masculinity includes vulnerability, grief, and the search for meaning.

What Role Does Poetry and Storytelling Play?

Bly opens the gathering by reciting a fairy tale: a young man ventures into a dangerous forest where many hunters have disappeared, bringing only his dog. When a hand pulls the dog into a pond, the young man does not panic but simply says, "This must be the place." Bly notes that this is "a male story"—hawks and eagles (male birds) identify it as such. The tale encodes lessons about masculine courage, solitude, and the willingness to face what others avoid.

Throughout his work, Bly uses poetry, myth, and fairy tale as technologies for accessing the deeper layers of consciousness where masculine identity actually lives. These are not intellectual exercises but invitations into felt understanding. A poem like Machado's about the withered garden doesn't argue that men are in pain; it makes that pain tangible and recognizable. Storytelling allows men to see their own experience reflected and validated in archetypal forms. This is why Bly, as a poet, has become what Bill Moyers describes as "a father figure at gatherings of men all over the country"—he offers not just analysis but images and myths that reorganize how men understand themselves.

How Can Men Reconnect With Their Fathers?

Bly acknowledges the complexity of father-son reconciliation in a culture where fathers themselves are wounded. Many men have fathers who were emotionally unavailable, distant, or harsh—not out of cruelty but out of their own unhealed trauma and the demands of industrial labor. Yet Bly suggests that healing is possible when a man can grieve what was not given, can articulate to his father what he needed, and can begin to recognize his father as a fellow sufferer in the same broken system.

Some of the most moving moments in gatherings, Bly implies, come when older men speak directly to younger men, or when a man speaks to a symbolic father figure about what he needed and never received. This is the function that traditional male initiators performed: they were the older men who could say, "I understand what you're experiencing, and here is what I've learned." In the absence of a functional father, this role can be filled by mentors, teachers, therapists, and the collective wisdom of a community of men engaged in honest self-inquiry.

Where to go from here

Bly's work suggests several paths forward for men seeking to heal the masculine wound and develop a mature, authentic manhood. First, recognize that your confusion and grief around masculinity are not personal failures but symptoms of a historical rupture—they are shared by millions of men and rooted in the Industrial Revolution's separation of fathers and sons. This reframing moves the problem from shame to understanding.

Second, seek out communities of men engaged in honest conversation about identity, loss, and meaning. This might be a formal men's group, a retreat, a workshop, or simply regular gatherings with friends where vulnerability is permitted and encouraged. The presence of other men who are asking the same questions creates a container in which real change can occur.

Third, engage with poetry, myth, and storytelling as mirrors for your own experience. Bly's work demonstrates that the aesthetic and symbolic dimensions of life are not luxuries but essential tools for understanding and transforming consciousness. Read widely; listen to stories; learn to recognize the archetypal patterns in your own life.

Finally, if your own father is available, consider whether there is unfinished business—whether you might have a difficult, honest conversation about what you needed and what you still need from him. If your father is deceased or unavailable, seek out older men who can offer mentorship and witness. The function of the male initiator has not disappeared; it has only become invisible and informal. By intentionally seeking it out, you participate in the slow reconstruction of a masculinity that is both strong and emotionally alive.

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Transcript

[0:18] [Music]

[0:24] we are leaving our time

[0:25] [Music]

[0:27] now we are leaving our time now

[0:31] [Music]

[0:33] there are places where time moves more

[0:35] slowly than

[0:36] [Music]

[0:38] here we honor all four directions

[0:41] east west north

[0:46] south and we also honor the fifth

[0:48] Direction the vertical one which is in

[0:51] us today here

[0:58] [Music]

[1:06] once upon a

[1:09] time there was a king and a

[1:12] [Music]

[1:13] queen and they lived in a

[1:16] castle and near the castle there was a

[1:21] forest you know there's always a forest

[1:24] near the

[1:27] castle and this forest was like other

[1:30] forc with one

[1:32] exception when anyone went into it he

[1:34] didn't come

[1:36] back five Hunters went out and they

[1:39] didn't come back 10 Hunters were sent

[1:41] after them and they didn't come

[1:44] back then 20 Hunters went out and they

[1:47] did not come back and then 30 Hunters

[1:50] were sent after them and they did not

[1:51] come back and pretty soon no one went to

[1:55] that part of the forest

[1:58] anymore only a orally a hawk or an eagle

[2:02] flew over it that identifies this as a

[2:05] male story Hawk and the eagle or male

[2:07] birds that was a

[2:11] situation that's the way it

[2:13] lasted for many

[2:16] years finally one day a young man came

[2:20] and he said anything dangerous to do

[2:22] around

[2:26] here and the King said yes it is but uh

[2:30] I don't recommend it because the return

[2:32] rate is not

[2:36] good and the young man said that's the

[2:39] sort of thing I like I think I'll go so

[2:42] he went taking only his dog with

[2:44] him maybe the fact that he didn't go in

[2:47] a group was a part of

[2:48] it he took only his dog with him and he

[2:52] walked into the forest and he walked a

[2:54] long way into the forest and all of a

[2:57] sudden a hand came up out of the pond

[3:00] and pulled the dog

[3:04] down and he didn't get

[3:06] hysterical he just said this must be the

[3:16] [Music]

[3:26] place I'm Bill Moyers the title of this

[3:29] program is a gathering of men but women

[3:31] are invited too what we're exploring is

[3:34] the confusion many men feel today about

[3:36] their roles in society and their inner

[3:39] lives as well women have a stake in how

[3:42] men address these issues of course just

[3:44] as men have been affected over the years

[3:46] by the feminist movement it's not

[3:48] accurate to describe what's happening as

[3:50] a a men's movement as such but

[3:52] Gatherings like this one in Austin Texas

[3:54] are taking place more and more

[3:55] frequently and they're drawing larger

[3:57] and larger numbers of men what summons

[4:00] these men in my experience is not a

[4:02] desire to separate again from women or

[4:04] to move back to that destructive

[4:06] aggressive and dominating masculine

[4:08] personality of more chauvinistic days to

[4:11] the contrary men are drawn to these

[4:13] Retreats by a sense of loss a loss of

[4:16] familiar myths and road maps but also by

[4:19] a sense of hope there is something

[4:21] optimistic about the very willingness of

[4:23] men to learn from one another through

[4:25] sharing their confusion over the

[4:27] problems of life for many of these men

[4:29] there's also the chance to share in the

[4:31] hard one wisdom of Robert

[4:34] blly Robert Blye is arguably the most

[4:37] influential American poet living today

[4:39] whether writing about silence in the

[4:41] snowy fields or the light around the

[4:43] body about the war in Vietnam or the

[4:45] archaeology of private memory he confers

[4:48] upon even the simplest words await and

[4:51] consequence of new things born on the

[4:54] Minnesota Prairie of Norwegian Lutheran

[4:56] stock fly first attended a one room

[4:58] school then the University of Iowa and

[5:01] Harvard but the experience of his own

[5:03] life and the poems myths and fairy tales

[5:06] of the world have been his most constant

[5:08] teachers his own poems are woven from

[5:11] the realities of pain and hope

[5:12] tribulation and joy he won the national

[5:15] book award for poetry in 1968 and has

[5:18] since published a growing collection of

[5:20] poems and translations that Express what

[5:22] one critic calls a deep marriage between

[5:25] the inner and outer worlds in one man's

[5:28] life his clear strong images of

[5:30] masculine Consciousness and the honesty

[5:32] of his own autobiography have made

[5:34] Robert blly a father figure at

[5:36] Gatherings of men all over the country

[5:39] he's now writing a book on masculinity

[5:41] and one of its themes is the grief and

[5:43] loss men often feel but seldom

[5:48] [Music]

[5:53] acknowledge I'll begin with a poem by

[5:55] Antonio Machado the Spanish poem

[6:03] there's a lot of pain and grief around

[6:04] men these

[6:07] days and he touches on it

[6:14] here the wind one brilliant day called

[6:17] to my soul with an odor of

[6:20] Jasmine and the wind

[6:22] said in Return for the odor of my

[6:25] Jasmine I'd like all the odor of your

[6:27] roses

[6:30] TR said I have no

[6:33] roses all the

[6:35] flowers in my

[6:37] garden are

[6:41] dead and the wind said well then I'll

[6:43] take the withered pedals and the yellow

[6:46] leaves and the wind

[6:49] left and I

[6:51] wept and I said to

[6:53] myself what have you

[6:55] done with the

[6:57] garden that was entrusted

[7:00] to

[7:04] you good poem

[7:07] H I think this feeling of um the garden

[7:11] being blown apart doesn't happen much to

[7:13] you until you're 35 or

[7:15] so the models we were given as men in

[7:18] high

[7:19] school um well what were they Eisenhower

[7:22] John

[7:23] Wayne they only last till you maybe 32

[7:26] or 33 and then you notice that

[7:30] something's going wrong in your business

[7:32] in your private life in your

[7:34] relationships these things don't last

[7:37] and so around 35 you have to find

[7:39] another image for what a man is or what

[7:41] your man is is that clear that

[7:45] idea so it takes a little bit of courage

[7:47] to come

[7:48] here there's lots of men who feel this

[7:51] and then they won't act on it or those

[7:54] in the 20 say I'm doing fine Jack I'm

[7:57] fine it's true that women have left me

[8:00] and two beat me up but I'm doing

[8:03] fine it's true I'm bleeding from all my

[8:05] pores but I'm

[8:06] fine why a gathering of men I mean

[8:09] that's really rare isn't it to have a

[8:12] workshop for men only maybe 20 years ago

[8:15] it would have been rare but

[8:16] lately

[8:18] um the men in various parts of the

[8:20] country have begun to

[8:22] gather I think that um it

[8:27] isn't it isn't a reaction to the women

[8:30] movement

[8:31] really um I think

[8:34] the the the grief that leads to the

[8:38] men's movement

[8:40] began maybe 140 years ago when the

[8:43] Industrial Revolution began which sends

[8:46] the father out of the house to work what

[8:50] impact did that have well we receive

[8:53] something from our Father by standing

[8:54] close to him physically when we stand

[8:58] physically close to our father something

[9:01] something moves over that can't be

[9:02] described in material terms that gives

[9:05] the Sun a certain confidence an

[9:07] awareness and knowledge of what what it

[9:09] is to be male what a man is and in the

[9:11] ancient times you were always with your

[9:13] father he taught you how to do things he

[9:14] taught you how to farm he taught you to

[9:16] whatever this he did you learned from

[9:19] him but you had this sense of being of

[9:22] receiving a food from him food a food

[9:25] from your father's body now when the son

[9:28] when the father went out of the house

[9:30] indust

[9:31] Revolution that food ended and I think

[9:34] the average American father now spends

[9:36] 10 minutes a day with the son I think

[9:38] that's what the Minneapolis Tribune had

[9:40] and half of that time is spending clean

[9:42] up your room you know I it's a favorite

[9:45] phrase of mine I know it well um so the

[9:48] Industrial Revolution did not harm

[9:49] mother and daughter relationship as much

[9:51] as it did the father and son because the

[9:53] mother and daughter still stand close to

[9:55] each other and have stood close to each

[9:57] other maybe that'll change now when the

[9:59] mother is being sent out to work also

[10:01] but um but the the the the daughters

[10:05] then receive some knowledge um of what

[10:08] it is to be a woman or if you prefer to

[10:10] call it the women's the female mode of

[10:12] feeling they receive knowledge of the

[10:14] female mode of feeling and the mother

[10:16] gets that from a grandmother who got it

[10:17] from a great- grandmother who gets from

[10:19] her great-grandmother goes all the way

[10:20] down after the Industrial Revolution the

[10:23] male does not receive any knowledge from

[10:26] his father of what the male mode of

[10:28] feeling is and they old male initiators

[10:30] that used to work are not working

[10:32] anymore what do you mean male initiators

[10:34] well the you know in the in the

[10:35] traditional times you're not initiated

[10:37] by your father because there's too much

[10:39] tension between you and your father

[10:40] you're initiated by uh older unrelated

[10:43] males is the word is used older

[10:44] unrelated men they may be friends of

[10:47] your fathers they could even be uncles

[10:48] or grandfathers but they're the ones who

[10:50] used to do it then they disappear then

[10:52] it all falls on the father to do then

[10:54] the father is off at the office you see

[10:56] the picture yeah in fact in some of the

[10:58] traditional cultures

[11:00] at a night arrives and a group of men

[11:03] show up at a boy's house and they take

[11:05] him away from the home and they don't

[11:06] bring him back and for several days and

[11:08] then when he comes back he has ashes on

[11:11] his face yeah in New Guinea where they

[11:12] still do it

[11:14] today uh the men come in with Spears to

[11:17] get the boys the boys know nothing about

[11:19] the men's World they lived with their

[11:21] mother completely they say you know mama

[11:23] mama save us from these men are coming

[11:25] here now all over New Guinea the women

[11:28] except and the men except one sentence a

[11:30] boy cannot be made into a man without

[11:32] the active intervention of the older men

[11:35] now when they all accept that then the

[11:37] women's job is to be a is to be

[11:40] participants in this

[11:41] drama so so the men come and take the

[11:44] boys away and the boys are saying Save

[11:46] Me Mama you know then they go across and

[11:48] the the men have built let say an island

[11:49] they built a house for the boys in their

[11:51] Asian Hut then they take him across a

[11:53] brid then three or four of the women

[11:55] whose boys these are get their Spears

[11:58] and meet them on the bread

[12:00] and the old men have their Spears and

[12:03] the boys were saying Save Me Mama save

[12:05] me these are hor men are taking me away

[12:07] you know and they fight and everything

[12:08] and then the women are driven back then

[12:09] the women all go back and have coffee

[12:11] and say how'd I do how'd I look so that

[12:14] wonderful participation in it the women

[12:15] are not doing initiating or

[12:17] participating and then as you said

[12:20] um then he'll stay with the men for a

[12:22] year

[12:23] maybe then they will explain to him um

[12:28] something has to die

[12:31] to be born and what will have to die is

[12:33] the

[12:33] boy this is what isn't happening to the

[12:36] to the men in this culture I was giving

[12:39] a a reading in Minnesota in my little

[12:41] town this year and I I gave Rapunzel and

[12:44] cutting off the Golden Hair of Rapunzel

[12:45] and I said to the audience how many of

[12:47] you do you remember when you had your

[12:49] golden hair cut off and then later a

[12:51] young man came up to me at the party

[12:54] afterwards and he said um I didn't dare

[12:56] say anything at that time but this is

[12:59] what happened to me I was about 15 and

[13:01] my parents wanted my long hair

[13:03] off and I refused to cut it off one day

[13:07] they got me and they tied me

[13:09] down and they cut it off I started to

[13:12] beat the ground and I was weeping and

[13:14] hitting the floor and while I had

[13:16] stopped hitting the floor I was still

[13:18] weeping my grandfather walked in and he

[13:21] saw immediately what had

[13:22] happened I said what' your grandfather

[13:24] do they lived in Long Island he took the

[13:28] boy out to the ocean and he said to the

[13:30] boy you see this ocean now this is for

[13:34] you this ocean is going to be here

[13:37] whether you have long hair or short

[13:41] hair that only the grandfather can say

[13:43] that and then that man said to me you

[13:45] know he was right he said I went away

[13:48] six years later I came back I looked at

[13:49] the ocean Wham it was incredible like my

[13:53] grandfather had given it to me I said

[13:56] unbelievable

[13:58] unbelievable that's the kind of thing

[14:00] that that older men do that your father

[14:03] can't do my father was alcoholic and and

[14:06] he didn't teach me much about the male

[14:07] mode of feeling but he taught me

[14:10] something but many men have no father at

[14:14] all or the father left when they were

[14:17] two or the father doesn't say anything

[14:20] or the father doesn't talk well about

[14:24] feeling is natural it seems to be

[14:25] natural any American male comes from the

[14:28] frontier apparently so then how does he

[14:31] learn the male mode of feeling he

[14:33] doesn't and in the 60s it came to a

[14:36] crisis I think

[14:38] um uh Vietnam yes you know in the

[14:43] Vietnam War it was as if many of the

[14:46] women offered to initiate the young

[14:50] men the young men hadn't hadn't been

[14:53] helped by their

[14:54] fathers and they really were betrayed by

[14:57] the older men in a time of Vietnam and

[15:00] so the women would would offer to

[15:02] initiate them in wonderful things like

[15:05] respect for the Earth respect for Life

[15:07] respect for feeling and so on uh that

[15:09] wasn't wrong at all it was just that

[15:12] that no one has helped them with the

[15:13] male mode of feeling what's the chief

[15:15] difference as you see it between male

[15:17] feeling and female feeling uh a strong

[15:21] part of the woman's mode of feeling has

[15:24] to do with

[15:26] pain moving towards pain and helping

[15:28] moving in and also the pain of being

[15:31] devalued I mean women's values have been

[15:35] rejected in this culture for 2,000 years

[15:37] or more and women feel a strong pain in

[15:40] this

[15:42] devaluation um men don't feel devalued

[15:45] quite that much uh with the men it's

[15:48] more an area of grief as as opposed to

[15:51] pain and um you keep using that word

[15:54] grief in regard to men I you see in my

[15:57] own case um

[16:01] I began as a poet writing poetry and

[16:06] poetry deals with

[16:08] feeling but I I felt that until I felt

[16:12] that grief uh is a door to male feeling

[16:15] until I had really tried to go into some

[16:18] of the grief around my

[16:20] father I didn't feel that I had access

[16:23] to the feeling tell me about that

[16:28] um well

[16:30] well you know as men we're taught not

[16:34] to not to feel pain and grief as

[16:37] children I remember seeing one of my

[16:39] boys he was um maybe about nine uh he

[16:44] was hit in a

[16:48] basketball maybe hit by the ball and I

[16:51] saw him turn around and bend down and

[16:54] get control of his pain in his G before

[16:57] he stood up again now that same boy

[17:00] would be so wonderful in being open to

[17:03] to wounds and crying and so on when he

[17:04] was very small but you know the culture

[17:07] had said to him you cannot give way to

[17:09] that you must turn around and when you

[17:10] must turn around you must have a face

[17:12] without pain or grief in it right so

[17:15] therefore as a son of an alcoholic I

[17:17] receiv received that I mean when you're

[17:19] in an alcoholic's family you're hired to

[17:20] be cheerful that's one of your jobs

[17:22] you're appointed that way one is hired

[17:25] to be a trickster another I was hired to

[17:26] be cheerful so that so that uh when

[17:28] everyone asked me about the family I'd

[17:30] have to lie in the cheerful way and said

[17:32] oh it's wonderful yes indeed we have

[17:34] sheep you know and we have chickens and

[17:36] everything's wonderful well then then uh

[17:40] if you can deny something so fundamental

[17:43] as the Deep grief in the whole family

[17:46] you can deny anything how then how can

[17:48] you write poetry then if you're involved

[17:50] in that much

[17:52] denial so the word denial is very

[17:54] helpful to me did you resent your father

[17:57] did you feel no I I think that what

[17:59] happened was

[18:01] that as far as the grief goes uh being

[18:05] appointed to to be the cheerful one in

[18:09] the

[18:10] family I would tend to follow a movement

[18:12] upward like

[18:13] this more and more achievement more and

[18:16] more and so on H that's what you do and

[18:18] finally you redeemed the family's name

[18:20] by doing this well I got to be about 46

[18:23] or so and then I realized how unsteady I

[18:27] was and how my own poems didn't have

[18:30] well I didn't even mention my father in

[18:32] my poems until I was 46 not

[18:34] once so I look at my poems are good pors

[18:38] but there's something missing in there

[18:40] and and then I began to realize that

[18:43] that in the ancient times the movement

[18:45] for the man was downward a descent into

[18:47] grief before you're really a man that

[18:51] descent has to take place it's referred

[18:53] to in the fairy tales is the time of

[18:54] ashes and the time of descent so I wrote

[18:58] a poem at that time

[19:00] and there was the first poem I must have

[19:01] been 46 or 47 it was the first poem I'd

[19:05] written in which there was some sort of

[19:07] grief I'll read it to you you want to

[19:09] hear it mhm it's called snowbanks north

[19:11] of the house maybe you know the poem

[19:14] snowbank snow comes on from Alaska you

[19:16] know and then stops suddenly and I

[19:19] noticed that little place there where

[19:21] something stops and doesn't go further

[19:24] so I wrote this line those great sweeps

[19:27] of snow that stop suddenly 6 feet from

[19:29] the the house I left it in a drawer for

[19:31] 2 or 3 months to see what would happen

[19:33] and finally the rest of the poem came

[19:36] those great sweeps of snow that stops

[19:37] suddenly 6 feet from the house thoughts

[19:40] that go so far the boy gets out of high

[19:43] school and reads no more books and the

[19:45] son stops calling home the mother puts

[19:48] down her rolling pen and makes no more

[19:50] bread and the wife looks at her husband

[19:54] one night at a party and loves him no

[19:57] more and the energy leaves the wine and

[20:00] the minister Falls leaving the church it

[20:03] will not come closer and the one inside

[20:06] moves back and the hands touch nothing

[20:10] and are

[20:12] safe and the father Grieves for his son

[20:15] is is Lincoln and the father Grieves for

[20:17] his son and will not leave the room

[20:19] where the coffin

[20:20] stands he turns away from his wife and

[20:24] she sleeps alone and the Sea lifts and

[20:29] falls all night and the moon goes on

[20:35] through the unattached heavens

[20:38] alone and the toe of the shoe pivots in

[20:41] the

[20:43] dust and the Man in the black coat turns

[20:46] and goes back down the hill no one knows

[20:51] why he came or why he turned away and

[20:56] did not climb the hill

[21:00] what did that do for you well to me it

[21:03] was the first time that I had felt my

[21:05] words being involved not in the not in

[21:08] the new age of

[21:09] scent not in higher

[21:12] Consciousness but a movement down when

[21:15] you break off the ark and you move down

[21:17] and you go down towards your own in that

[21:20] case it had to do with the possibility

[21:21] that my life is not going to be a series

[21:23] of

[21:24] triumphs that what is asked of me is not

[21:27] to ascend but to descend

[21:30] um but how about in relation that meant

[21:32] that meant I had to start paying

[21:34] attention to my father here there in

[21:38] other words but he was here you didn't

[21:40] have him out there he was out there

[21:43] too in other words uh how shall I say it

[21:47] uh often times my father and my mother

[21:50] and father were living on a farm a mile

[21:51] from where I went I would go over and

[21:54] see them my father had lost part of one

[21:56] lung and he would be lying in the bed in

[21:58] the next to the living

[22:00] room I would go and sit and talk with my

[22:03] mother for an

[22:05] hour because I was probably in the

[22:07] conspiracy with her early

[22:10] on and if I remembered it I'd say

[22:12] goodbye to my father before I

[22:14] left now my father's lying out

[22:17] there how do you think he feels about my

[22:20] talking with uh my mother for an

[22:23] hour what can he do he thinks well

[22:26] that's nice they have a good

[22:27] relationship

[22:29] but how about

[22:31] him so therefore I realized that I had

[22:35] been in the conspiracy with my mother to

[22:36] push my father

[22:38] out since I was two or three years

[22:41] old and I decided at this same time I

[22:44] wrote that poem it's time for this to

[22:45] end I don't want to be in this

[22:47] conspiracy anymore so what I did was I

[22:51] would go in and sit down with my

[22:54] father and uh my mother would wait for

[22:57] me to come into the living room

[22:59] and I didn't I'd sit down next to him

[23:01] he's not a great conversationalist but

[23:03] we talk a little bit and eventually my

[23:06] mother would have to come in and sit

[23:07] down in the

[23:08] bed and then we all knew that some

[23:10] change had taken

[23:12] place it seems to me that you and your

[23:15] mother hadn't pushed your father out

[23:16] your father had removed himself like so

[23:18] many fathers do either through

[23:19] alcoholism or through work or through

[23:21] obsession with the world through

[23:23] ambition it's

[23:25] possible when your father is away during

[23:28] the day and during the year when he only

[23:30] comes home at 5:00 you only get his

[23:34] temperament what you used to get was his

[23:37] teaching and his

[23:38] temperament the teaching would help you

[23:41] you know how sweet it is when someone

[23:43] says well the way you make it you put

[23:44] your board nail over here you put your

[23:46] board over here and you put your T you

[23:47] do that and those teachings are sweet

[23:49] even mean men are often sweet when

[23:51] they're

[23:52] teaching and then we have that gratitude

[23:55] when someone has taught us something

[23:56] that's so wonderful we used to receive

[23:59] that from our fathers now he goes to

[24:01] work and all we get is his temperament

[24:03] when he gets home at 5: and he's tired

[24:06] and what's more at work he has been

[24:08] humiliated by older men and other men

[24:10] bosses he's been in competition with

[24:12] other men he has he has um he knows that

[24:17] his work is not going to he's not going

[24:18] to be able to see the end of his work

[24:20] it's not like making a chest of drawers

[24:22] he knows that his company is probably

[24:24] polluting Alaska how do you think he

[24:26] feels when he gets home and that's all

[24:28] you're going to get yet and I want to

[24:30] remind you that the same thing is true

[24:31] of women that many people that we call

[24:34] uh Angry feminists are women who have

[24:37] only experienced the temperament of

[24:39] their fathers they have never

[24:41] experienced the

[24:43] teaching and their attacks on the

[24:45] patriarchy are really a turned attack on

[24:48] the fact that they don't believe that

[24:50] there is any older males that have

[24:52] anything but this this irritable

[24:53] temperament is that clear what I'm

[24:55] saying so that has to be understood too

[24:58] the women only get the temperament of

[25:00] the father and it's usually irritable

[25:03] and angry one thing I have to say to the

[25:05] men is that your father is

[25:08] convinced that he is an inadequate human

[25:11] being women have been telling him that

[25:13] for 30 to 40 years he doesn't know how

[25:15] to talk he can't express himself he

[25:18] doesn't know what his feelings are

[25:20] people hear what they

[25:22] hear your father feels that he's okay

[25:25] when he's with a hammer but in every

[25:26] other way he's inadequate so you call up

[25:30] you your home and you get to your father

[25:32] and he says oh John this is this is this

[25:33] is your father here's your

[25:35] mother and I was saying there's only two

[25:37] kinds of men one kind of man is willing

[25:39] to to go along with that and the other

[25:41] kind of man says wait a minute I didn't

[25:42] call here to talk to my mother I want to

[25:44] talk to you I know you he your

[25:46] mother no no that isn't it I want to

[25:50] talk with you what about you want to

[25:52] borrow money no that's not

[25:55] it huh

[25:58] the other day I was in in in aers Kansas

[26:01] and I met a wonderful man there who was

[26:03] an economics teacher and there was a

[26:04] tiny little Catholic School in aers and

[26:07] this man came up to we start to talk his

[26:08] father was a a car mechanic who worked

[26:10] very hard knew beautifully the engines

[26:12] just knew what was wrong and so on the

[26:14] father got ill eventually got his one

[26:17] leg cut

[26:18] off was lying in bed trying to deal with

[26:21] the phantom

[26:22] pain we calls him up on the

[26:26] phone says how you doing Dan said what

[26:29] do you

[26:30] want re says uh I want to I want to say

[26:34] something to you I want to tell you how

[26:37] much I appreciated everything you

[26:39] did how much I

[26:41] appreciated all the work that you had to

[26:44] do in order to send me to

[26:47] college I'm a college teacher now and I

[26:50] want to tell you how much I appreciate

[26:52] that and how much I love you and the

[26:54] father said you've been drinking

[26:59] I thought that was wonderful I said you

[27:01] just live through the history the last

[27:03] 80

[27:04] years the father can't imagine right

[27:06] there's only two parts because men don't

[27:08] talk about feelings so if you're talking

[27:11] about feelings probably you must be

[27:15] drunk and you got to get over that you

[27:17] just no I have not been drinking I'm not

[27:20] on dope and I love you you get it

[27:30] I'll read you a poem it is the first

[27:32] poem I did at all connected with my

[27:34] father in fact it was the first one in

[27:35] which I use the word father it isn't my

[27:37] father but it's a poem called finding

[27:39] the

[27:40] [Music]

[27:53] father my friend this body offers to

[27:55] carry us for

[27:57] nothing this body offers to carry us for

[28:00] nothing as the ocean carries

[28:03] logs so on some

[28:06] days the body wailes with its great

[28:09] energy it smashes up the

[28:11] boulders lifting small crabs that flow

[28:14] around the

[28:16] sides there's a knock at the

[28:19] door there's a knock at the

[28:23] door we don't have time to

[28:26] dress he wants us to go with him him

[28:29] through the blowing and Rainy

[28:32] Streets to the dark

[28:36] house we will go there the body says and

[28:41] there find the father whom we have never

[28:44] met who wandered out in the snowstorm

[28:47] the night we were

[28:48] born and has lived since longing for his

[28:52] child whom he saw only

[28:55] once while he worked

[29:00] as a shoe

[29:01] maker as a cattle herder in

[29:05] Australia as a restaurant cook who

[29:08] painted at

[29:10] night when you light the

[29:13] lamp you will see

[29:16] him he sits

[29:18] there behind the

[29:20] door the eyebrows so

[29:23] heavy the forehead so light lonely

[29:29] in his whole body

[29:32] waiting for

[29:34] you looking for

[29:37] father finding the father it's called

[29:40] did you find your father to some extent

[29:42] I did he died only a few months ago but

[29:46] one of the things that did happen is

[29:47] this it was

[29:50] um I was living in Moose Lake about 5

[29:53] hours away I get a call my mother and

[29:55] father are both in the old people's

[29:56] home in Madison Minnesota I got a call

[30:00] saying my father was in the uh hospital

[30:02] with

[30:03] pneumonia so I drove down espcially to

[30:06] see him and um some change had taken

[30:09] place in

[30:11] me so that when I walked in the room he

[30:13] was alone there and for the first time I

[30:16] picked up a book my book that I write in

[30:18] I wrote a poem in his

[30:20] presence I had written so many poems in

[30:22] the presence of trees like these so many

[30:24] poems in the presence of women never a

[30:26] single line in the presence of my father

[30:29] so uh this is a poem I wrote It's called

[30:33] sitting no it's called my father at

[30:36] 85 his large ears hear

[30:42] everything a Hermit wakes and sleeps in

[30:45] a hut underneath his gunt

[30:49] cheeks His Eyes Blue Alert disappointed

[30:55] and

[30:56] suspicious complain I do not bring him

[31:00] the same sort of jokes the nurses do

[31:03] when the nurses come in he's

[31:05] right he is a small bird waiting to be

[31:09] fed mostly

[31:11] beak an eagle or a vulture or the

[31:16] Pharaoh servant just before

[31:19] death my arm on the bed rail rest there

[31:26] relaxed with new love

[31:29] love all I know of the

[31:32] tubid I bring to this

[31:35] bed I do not want or need to be

[31:41] shamed by him any

[31:45] longer the general of Shame has

[31:47] discharged him he's probably a

[31:49] lieutenant and left him in this small

[31:52] provincial Egyptian town if I do not

[31:56] wish to shame him then why not love him

[32:01] his long hands large veins

[32:05] capable can still retain hold of what he

[32:09] wanted but is that what he

[32:14] desired some powerful River of Desire

[32:17] flows through

[32:19] him he never phrased what he

[32:25] desired and I am his

[32:31] son he never phras your father never

[32:34] phrased he never put into

[32:37] language what he

[32:38] desired in the United States we put into

[32:41] language what we want we want another

[32:43] television set we want a VCR we want a

[32:46] refrigerator we want uh we want three a

[32:49] good 3.2 beer we want to have a cowboy

[32:53] hat and have some girl come along and

[32:54] touch it that's what we want but in

[32:58] television we never talk about what we

[32:59] desire what you desire is something

[33:01] you're never going to get so that gives

[33:03] it a little uh fragrance wait what do

[33:04] you mean by that we going to desire

[33:06] something that you're not going to get

[33:07] well

[33:09] um someone says I I want to be as great

[33:12] a poet as Shakespeare you're never going

[33:14] I desire to be as great a PO that's not

[33:15] going to happen but it's sweet to desire

[33:18] it in the 13th and 14th century they

[33:21] they did desire they desired God they

[33:23] desired to have God as a lover for

[33:25] example with the provinal poets and all

[33:26] of those and the sufis the Muslims at

[33:28] the same time you know that Muslim poem

[33:31] um roomi poem I want to kiss you answer

[33:36] the price of kissing is your life now my

[33:39] loving is running towards my life

[33:41] shouting what a bargain let's take it

[33:44] that's a PO a desire isn't it it's a PO

[33:47] not a wanting so if our parents could

[33:49] have phrased what they desired our lives

[33:52] would have been different why do fathers

[33:55] have such a hard time talking to Sons

[33:57] about

[33:58] desire about what they really see I

[34:01] don't think the mothers phrase what they

[34:02] desire either yes but uh the grown-ups

[34:04] don't phrase what they desire

[34:06] why well do they know do we know I think

[34:10] I think they broed about it a lot you

[34:13] know my father spent many hours I saw

[34:15] him lying in bed

[34:17] brooding and he was brooding about

[34:20] something and I think it was on what he

[34:22] had desired to do he had to he had to go

[34:25] onto the farm because his his own father

[34:27] had a heart attack

[34:28] he himself read a tremendous amount one

[34:31] of his favorite people was the prince of

[34:32] Wales he read everything about the

[34:33] Prince of

[34:34] Wales now it must be you see that the

[34:37] Prince of Whales

[34:39] abdicated and I think my father felt

[34:41] that he had abdicated from what he

[34:43] desired in order to raise his family and

[34:45] so on I think so that must be one of the

[34:47] connections but so therefore it was

[34:50] painful for him to talk about what he

[34:53] desired everyone comes into the world

[34:55] with a certain way he wants to be

[34:57] fathered

[34:59] and every father comes into the world

[35:00] with a certain way that he wants to

[35:02] Father what if they don't

[35:05] mix but then that's it with most of us

[35:08] isn't it we wanted to be fathered in a

[35:10] certain way and our father didn't do it

[35:11] so we complain but it's better to go to

[35:15] the father and say how did you want a

[35:18] father and he says well the problem is

[35:21] that I wanted a violinist son you know I

[35:24] wanted an athlete son I really did I

[35:27] remember my daughters came first and uh

[35:30] it was three or four or five years

[35:31] before I had the sons and my daughters

[35:32] still say to me Robert you Dad they say

[35:35] do you remember how you used to buy all

[35:37] those little green tractors for

[35:40] us I'd go to the store and buy the I

[35:42] love these little Chand Deere tractors

[35:43] you know and they they knew that I was

[35:46] trying to Father a son and

[35:49] um and they were Charmed but we weird

[35:53] um so therefore you talk about you ask

[35:57] your father how he wanted to father and

[36:00] then you tell him how you wanted to be

[36:02] father you know what I wanted was this

[36:04] and I wanted this and it takes a lot of

[36:06] work to go down to what you want and

[36:08] still because what you wanted you still

[36:11] want and it's good then if you're with a

[36:13] woman to say to her look uh this is the

[36:15] way I wanted to be fathered by my father

[36:17] and I want you to write this down

[36:19] because I'm going to ask you to do it

[36:20] and you better not do

[36:23] it don't do it write it down will you

[36:26] and then when I try to ask that for you

[36:28] to say wait a minute that's one of the

[36:30] ways you want to be fathered I'm not a

[36:33] father oh I missed

[36:37] that and then be sure to ask your your

[36:39] wife or your girlfriend how did you want

[36:41] to be fathered oo wow and if she's able

[36:44] to lay that down and you check up number

[36:46] one you got angry about that last week

[36:48] number two that was the time we went

[36:50] down to California number

[36:53] but she will want to get from you the

[36:55] father and she didn't get from her

[36:57] father and you're the only one that can

[36:59] move into that and help with that and

[37:01] try to get it clear and then you have to

[37:03] say there over and over again I'm not

[37:05] your father you know I kind of wish I

[37:07] were but I'm not and uh I can't give you

[37:11] that and Alice Miller says a wonderful

[37:13] thing she says when you were young you

[37:16] needed something you did not

[37:18] receive and you will never receive

[37:20] it and the proper attitude is

[37:23] mourning mourning is a proper at not

[37:25] blame mourning and she says another

[37:28] thing so wonderful she says

[37:30] um she says uh you know when you came

[37:34] into the world you bought this fantastic

[37:36] thing with you coming from centuries and

[37:38] eons and and you bought this amazing

[37:41] energy in from animal life reptile life

[37:43] other planets and everything and this

[37:45] incredible energy you brought in and

[37:46] your parents didn't want it they wanted

[37:48] a nice

[37:50] boy they wanted a nice

[37:52] girl you couldn't believe it that's your

[37:54] first rejection it's preverbal that's

[37:56] why encounter groups won't get to that

[37:58] that your first rejection is profound

[38:01] they didn't want the energy you brought

[38:03] they want a nice boy or a nice girl so

[38:06] when you're small you realize you can't

[38:07] fight against that stuff your parents

[38:09] want to nice so you make up a kind of a

[38:11] false personality TS ell wrote about

[38:13] that the love song of Jord Prock you

[38:15] invent a false personality and you

[38:17] survived and Mar and then then Jame ell

[38:20] smer says now please you've got to

[38:22] forgive yourself for

[38:24] that because you did it to survive and

[38:28] you did the right

[38:30] thing you did the right thing and the

[38:33] proof of it is that you're alive right

[38:35] now why do you think there's so much

[38:37] confusion today

[38:40] over what men are well you know you can

[38:47] want to put it in terms of high school

[38:48] what were we given as models in high

[38:50] school John

[38:52] Wayne a

[38:54] horse the models we were given for what

[38:57] a man was in high school don't last past

[39:00] the age of 32 or so around 35 men began

[39:04] to realize that the images they were

[39:05] given of what a man is don't work they

[39:07] don't work in their job they don't work

[39:08] in their relationship they don't work in

[39:10] the marriage they don't work so what

[39:11] happens when these High School images

[39:13] fade well I think that uh there's a deep

[39:16] sense of failure and a sense that you're

[39:19] inadequate uh I think that the the

[39:22] absence of the father standing next to

[39:24] the son and giving I don't know what you

[39:26] call Cellular sign significant cellular

[39:29] confidence that we talked of earlier

[39:30] when that's gone um then uh you judge

[39:34] yourself a great deal more and when it

[39:38] seems to you you're failing in your

[39:39] relationship what was it that Maggie

[39:41] scarf said that the typical relationship

[39:44] in the United States involves the woman

[39:46] chasing the man to try to get him to

[39:49] talk

[39:50] more and uh the man fleeing but she

[39:53] doesn't chase him fast enough to really

[39:55] catch him and he doesn't run away fast

[39:57] enough to really get away that's the

[39:59] game that's played but then you see the

[40:03] man can't turn and face her in the way

[40:07] because without a clear sense of what it

[40:09] is to be a man he cannot turn and say

[40:11] wait a minute I know what I want in

[40:13] relationship it isn't exactly what you

[40:15] want let me tell you what it is and so

[40:18] he feels and since the woman knows what

[40:20] she wants in

[40:21] relationship he again feels

[40:23] inadequate so I would say that uh the

[40:27] the primary experience of the American

[40:28] man now is the experience of being

[40:30] inadequate in your work you can't

[40:32] achieve what you want to um you feel

[40:35] inadequate as a man because you don't

[40:37] feel that you have any any close male

[40:40] friends and you don't know why you feel

[40:42] inadequate as a husband because your

[40:43] wife is always saying that you don't

[40:45] talk about your feelings enough and you

[40:47] don't know what your feelings

[40:48] are and I say to women you know men are

[40:51] not hiding their feelings from you uh

[40:53] when they look down in they don't see

[40:55] anything down there

[40:58] um and I know that it's a feeling of

[41:00] numbness that comes early on in life as

[41:03] a man do you remember when you first

[41:05] began to get in contact with your

[41:08] feelings as a man it was because I had

[41:12] decided in in college that I was going

[41:14] to write portra the rest of my life

[41:16] which is a very rash decision um for a

[41:19] Lutheran anyway um um and

[41:24] so I found that my first book is called

[41:28] silence in the snowy fields and what is

[41:31] speaking in that book is not so much my

[41:33] feelings as a kind of envelope around my

[41:36] body which is in touch with the trees

[41:38] and the wind and the air and the pine

[41:41] trees and uh like theow my my my

[41:45] feelings didn't go from here in they

[41:47] went from here out and um it's like um a

[41:52] beautiful um surrounding to your body

[41:56] that puts you in touch with everything

[41:57] else that's alive and I typically wrote

[42:00] my poems by sitting down under a tree

[42:02] for 2 hours and then it was as if the

[42:04] tree said something but uh then I was 36

[42:08] when I published that I still wasn't in

[42:10] touch with my

[42:11] feelings so I think it was about 46

[42:14] around that time I was telling you with

[42:15] that poem that's why I say grief is the

[42:18] door to feeling even being out in nature

[42:20] is not the door to feeling excitement I

[42:22] thought was a door to feeling it isn't

[42:24] that's why rock music doesn't always

[42:26] work in helping opening people to

[42:28] feeling uh excitement is not it with men

[42:31] grief there's some quality of grief and

[42:33] men don't know what they're grieving

[42:35] about it's as if the grief is impersonal

[42:38] with men it's always present you don't

[42:40] know if it's about the absence from

[42:42] their father or it may be about all of

[42:44] the animals that we were in touch with

[42:46] all the millions of years we were

[42:47] hunters and all the animals that died it

[42:49] may be a grief that's in nature itself

[42:51] you remember the Latin term L my R room

[42:54] the tears of things men have lived for

[42:57] centuries out there and they feel that

[42:59] terrific grief of nature in the out of

[43:01] doors and pine trees there are certain

[43:04] there are certain little Groves in

[43:05] England if you walk in there you'll

[43:07] burst in tears because there is grief in

[43:09] nature look I have grief but I don't

[43:11] write poems what do I do about it I

[43:13] don't know that you have to do something

[43:15] with it but I think it's a choice at any

[43:18] second you know in a

[43:21] conversation uh there are little turns

[43:23] you can turn up or down someone says you

[43:26] know uh um my my uh I lost uh my brother

[43:34] 5 years ago at that point you know you

[43:36] can say well we all lose our brothers or

[43:39] you can touch the hand or you can go

[43:42] into the part of you that's lost a

[43:44] brother you can follow the grief

[43:46] downward in this way or you can go

[43:47] upward in the American way you can

[43:49] always tell an American on the streets

[43:51] of Europe because he's

[43:54] smiling so it's really important for us

[43:56] I mean we hired presidents in a row who

[43:59] promised us that we would not go into

[44:00] the grief about the Vietnam

[44:02] War

[44:04] Carter and uh and Reagan n Bush Ford

[44:09] four of them in a row and if Lincoln had

[44:12] been alive do you know how he would have

[44:14] gone into that

[44:15] grief he would have gotten everybody you

[44:18] know 5 years after the Vietnam War and

[44:20] he would have said we we've killed so

[44:22] many people and and and and these

[44:24] veterans are here we we we we have

[44:26] destroyed them ah let's all

[44:35] weep that's that's that's what Lincoln

[44:38] would have done he would have encouraged

[44:39] America to grieve over the the losses in

[44:42] the Vietnam War we still haven't grieved

[44:45] over them only the veterans are

[44:48] grieving this is not right how does a

[44:51] whole people

[44:53] grieve well you don't do it by hiring

[44:57] people like Reagan who you know Reagan's

[45:01] father was an

[45:02] alcoholic and uh when I look at Reagan I

[45:05] know he has not gone through the grief

[45:07] of that so he's in denial when you're in

[45:11] denial over your own father you can deny

[45:14] the budget deficit easily that's not a

[45:17] problem he is the first president we've

[45:20] ever had who is spent the whole

[45:22] presidency in denial and the result is

[45:24] we got all the homeless sleeping on the

[45:26] vents we got to what trillion deficit

[45:28] that's what it's like when you decide

[45:30] not to when you decide not to take that

[45:32] turn down you decide not to go and face

[45:35] your father and do that work then you

[45:36] get Reagan and so uh and so it's a very

[45:41] serious thing because we knew all of

[45:44] that when we hired him in some way and

[45:47] if we are so codependent as a nation

[45:50] that we'll hire this man who didn't go

[45:52] through the adult children of alcoholic

[45:54] work or whatever that is that doesn't

[45:56] speak well for our future

[45:58] well this is territory I'm not very

[45:59] competent to enter but but America never

[46:02] really has come to terms with the shadow

[46:04] of its that's right the Indian we didn't

[46:07] mourn over the death of the Indians and

[46:09] we didn't mourn I think you know Lincoln

[46:12] and whitmann Lincoln felt that mourning

[46:15] in Whitman Whitman in Lincoln and they

[46:18] did moderately well in mourning the

[46:20] Civil War but after that it's been a

[46:22] process of uh not mourning you know

[46:24] Alexander mitcher in Germany has written

[46:26] a book called the inability to mourn

[46:28] about the

[46:29] Germans after the second world war now

[46:32] we're in that same situation we have an

[46:33] inability to mourn so again you see how

[46:37] can we have uh men or women if we if we

[46:40] can't go into grief at

[46:42] all there's one great book on the men's

[46:45] question the only one I know it's really

[46:47] great it's by a German analyst um

[46:50] Alexander mitcher Mi TS c l i c h

[46:55] mitcher just put all the S's and CHS you

[46:57] can get into it and they'll do it he

[46:59] doesn't fool around he doesn't say we

[47:01] have a society that has a weak father we

[47:03] have a society that has an absent father

[47:05] he says we got a society without the

[47:07] father period so I'll give you two ideas

[47:09] out of his book The the first one really

[47:12] amazed me I read this about 15 years ago

[47:14] and astounded me this is what he said if

[47:17] you are not with your father at all

[47:19] times of the day and at all times of the

[47:22] year a hole will appear in the sun

[47:25] psyche

[47:28] and that

[47:29] hole does not fill with little

[47:34] bambies and Walt Disney movies it fills

[47:37] with

[47:40] demons that hole in the sun psyche fills

[47:43] with demons and those are demons of

[47:46] distrust of older men like when I was um

[47:49] when I was a younger my father was

[47:51] alcoholic as I said so therefore there

[47:53] was that hole in me there and the times

[47:55] he was with the bottle is that clear

[47:57] and it was very interesting I started a

[47:59] literary magazine the first thing I did

[48:00] was attack all the older male poets I

[48:03] left I noticed I left the older women

[48:05] alone but the older Mal I went for them

[48:08] and I got my bone and arrowed out and

[48:09] when a when an arrow went right through

[48:11] their bodies it felt really good

[48:14] boy and it wasn't until 10 years later I

[48:16] looked at and said God that is

[48:19] weird and caused them pain I didn't give

[48:22] a

[48:23] damn caused them a lot of pain so you

[48:26] got to look in your own soul and see

[48:29] what effect these demons have had on

[48:34] you and if you do not have the trust of

[48:37] the older men then you'll tend to go to

[48:39] women and get all what what get whatever

[48:41] you want from women and that doesn't

[48:44] work too well because there are certain

[48:46] things that women cannot give do you

[48:48] understand me what I'm

[48:49] saying they try they really do but there

[48:52] are certain kind of assurances that we

[48:54] can only get from older men that you

[48:55] cannot get from women and then we blame

[48:59] the women for not getting it they feel

[49:00] guilty etc etc

[49:02] etc you cannot kill demons it's an old

[49:05] tradition for example Marie Lise on

[49:07] France says that every woman now after

[49:09] the patriarchy has a small figure on her

[49:12] left shoulder about an in and a half

[49:13] tall who says to her you know something

[49:14] you're nothing you're absolutely nothing

[49:16] you're totally worthless you'll never

[49:18] wor at works of art you know why because

[49:19] you're a woman and all women are nothing

[49:21] and she describes this little figure as

[49:23] a

[49:24] demon and I heard a bunch of women say

[49:26] to her one day Miss Von fans can you

[49:28] kill this little demon she said no no

[49:30] you can't kill him all you can do is

[49:31] educate

[49:33] him to be a man means that you need to

[49:36] develop the warrior which means that you

[49:39] um are not always obeying the body a

[49:43] Robert Moore of Chicago who's doing

[49:44] wonderful work on the warrior and the

[49:46] king I heard a tape of his and he

[49:48] said now all of you who are in graduate

[49:51] school if you don't have the war year

[49:54] you're going to be in trouble because

[49:55] you have to do a lot of unpleasant

[49:56] things in graduate school and he said

[49:59] I'm writing a book if I don't have the

[50:00] warrior I'm not going to finish this

[50:02] book The Warrior enables us to to go

[50:04] when the when the body says it's uh

[50:06] let's quit and get some hug andas the

[50:08] warrior says no no no no no your body is

[50:12] okay when you're getting a massage right

[50:13] for now we're going to do the task and

[50:15] we're going to continue Joe Campbell had

[50:16] a great warrior in in in his 20s he read

[50:19] nine hours every day that's the warrior

[50:21] that enables him to do that so the

[50:23] warrior and Men is not always the one

[50:25] that's out there killing people that's

[50:26] not it

[50:27] it's the one who is able to um pursue a

[50:32] task until it's finished and the warrior

[50:35] usually has a cause Transcendent to

[50:37] himself Transcendent to himself the

[50:40] which means I will do it even if I can't

[50:42] explain it to other people yes I'm not

[50:45] doing it for my good I'm not doing it

[50:48] for selfish reasons I'm doing this for a

[50:51] cause that I believe in um the

[50:54] traditional way it said is that the

[50:56] warrior works for the king king and the

[50:58] king is the one connected to the Sun and

[51:02] to to the spirit and to God so that um

[51:07] when the warrior as in our culture uh

[51:10] has no King like Ali North then he gets

[51:13] in

[51:14] trouble um you know the Japanese tell a

[51:18] story about a um it was a little

[51:22] Pond and um the leader of this Pond I

[51:25] don't know disappeared

[51:27] so they hired the the Heron to be the

[51:31] king and the Heron ate up everyone in

[51:33] the

[51:34] pond CU he was a warrior he wasn't a

[51:37] king the warrior eat up everyone in the

[51:40] pond if he doesn't have a Transcendent

[51:41] uh cause so but the American the

[51:45] Americans are are very weak in the

[51:46] Warrior now the American men the

[51:49] Japanese men were strong in the Warrior

[51:51] during the second world war and they

[51:52] somehow transferred that into their

[51:54] briefcases and into their VCRs and and

[51:57] so we don't have Warriors to stand up

[51:59] against them even in the business World

[52:01] Robert Moore again on the warrior has

[52:03] said wonderful things like the the the

[52:05] only Warriors we have in the United

[52:07] States are the negative versions of it

[52:09] the shadow versions who are the drug

[52:10] lords they're the ones we need Warriors

[52:13] in the city who are able to stand

[52:15] against the drug lords but instead of

[52:17] that we have only negative Warriors but

[52:19] when you use the word Warrior most of us

[52:21] most of the people watching and

[52:22] listening are going to say he means the

[52:24] the Slayer of the uh the the Warrior the

[52:27] warrior is not in general terms is not

[52:30] sent out there in order to um to harm

[52:34] and damage others the warrior is a

[52:36] defender of the boundaries when you live

[52:39] in a dysfunctional family then people in

[52:41] the in the family cross your boundaries

[52:43] all the time they will open the door

[52:46] they'll say things their mood is the

[52:48] strongest in the house your moods mean

[52:49] nothing you understand what I'm talking

[52:51] about and when you're three and four

[52:52] years old in relation to to grown-ups

[52:54] you have no boundaries they simply do

[52:55] what they want and sexual abuse mean

[52:57] really means you know that didn't happen

[52:59] to me in a strong way but it means you

[53:01] open the door and you go in there's no

[53:02] way you can you have no

[53:04] boundaries so the the the adult man and

[53:07] the adult woman needs to have a warrior

[53:10] so that they can hold the

[53:12] boundaries so that one way that I see it

[53:15] now is that when we're three and four

[53:17] years old the door knob is on the

[53:18] outside of the

[53:20] door now I have to understand I'm not 3

[53:22] to four years old now I'm a grown person

[53:25] and if I want to get the doorknob on

[53:27] inside of the door I will if I do not

[53:30] wish to be

[53:31] shamed that's my choice but the hardest

[53:35] thing is to realize you're not four

[53:36] years old yeah so therefore with my

[53:39] father I do not want or need to be

[53:41] shamed by him any longer well that means

[53:45] that there had been some movement to get

[53:46] the doorknob on the inside of the door

[53:48] that's called a warrior a warrior is not

[53:49] someone that goes off and killed that's

[53:51] the negative Warrior that's the one

[53:52] that's without the king but each of us

[53:54] needs our Warrior desperately women have

[53:56] a very Fe F warrior in them you know

[53:58] they have a very Fierce Warrior and I

[54:00] would say that the women in the last 20

[54:01] years have much greater sense of their

[54:03] own boundaries than the men do so uh you

[54:06] know I have felt that the men uh the men

[54:09] have suffered a great deal in losing the

[54:10] wild man which is a certain form of

[54:13] sponty connected with the Wilderness

[54:15] itself and uh they've suffered a great

[54:18] deal since the second world war and

[54:20] losing the warrior it's very strange how

[54:22] this works we gave up the king that is

[54:25] we we founded our country with getting

[54:27] rid of the king and you know the king is

[54:29] weak in American men also how could it

[54:30] be otherwise the king being the king the

[54:33] part the the part of the man that

[54:35] determines what he is going to do now

[54:38] what my course is going to be the king

[54:40] can decide that for himself this is the

[54:41] inner King the whole IM one who's down

[54:43] there yes who decides and when he comes

[54:45] in the follow your bliss is what Joe

[54:47] Campbell said that means that the king

[54:49] decides that you don't join IBM and then

[54:52] do what your boss wants you to do that

[54:54] means there's only one king in the whole

[54:56] thing and that's the boss everybody else

[54:57] is a non- king it's the way the world

[54:58] works yeah that's the way it works

[55:00] that's the way it destroys inner Kings

[55:01] in all of the men and in most of the

[55:03] women so uh the king then is that part

[55:06] of you that can decide I mean it's very

[55:08] it's very private too because

[55:11] um there are various kinds of Kings

[55:15] uh when I am with a group of of 200

[55:18] people my king is fairly strong I'll

[55:21] decide what I want to happen that

[55:23] day when I'm with three or four people

[55:25] my king is moderate ly strong but they

[55:28] can still drag me off to a movie I don't

[55:29] want to go to when I'm with one person

[55:32] my king is rather weak and I think

[55:34] that's because of all those Crossing of

[55:36] boundaries and so on when I was a child

[55:38] so that if I go in for example with my

[55:40] wife into a store and there's uh two

[55:43] sweaters one is green and the other's uh

[55:46] uh blue I can't decide and I say to her

[55:50] what are you think she said oh the blue

[55:52] is beautiful immediately the green Fades

[55:55] into some hideous color

[55:57] you understand me I do but I'm troubled

[56:00] by the U by the analogy because we can't

[56:03] go back to being an original an

[56:05] Aboriginal Society we can't become a

[56:07] traditional Society can we cannot

[56:09] restore those images that were

[56:11] transferred to the boy through the

[56:13] initiation can we no but we have a much

[56:17] stronger resilient uh man once he goes

[56:19] through the process they produce a

[56:21] brittle one I think it's for a purpose

[56:23] you know to protect them from the

[56:24] neighboring tribes but so we're not

[56:27] saying that all of that is good what I'm

[56:28] saying is that is that we can't go on

[56:30] any longer without trying to do

[56:32] initiation consciously we can't go on

[56:34] any longer without trying to be

[56:36] conscious of that which affects us

[56:38] because each generation the men are

[56:40] farther and farther separated from the

[56:42] grandfathers and from the Kings and from

[56:44] the inner Warriors and so they're weaker

[56:47] in some way in every generation who is

[56:49] telling us today that we are men who is

[56:51] in charge of the

[56:53] initiation one of the things that said

[56:55] if you do not do the initiation

[56:57] consciously you will do it unconsciously

[56:59] because it'll take place aren't we

[57:01] initiated as men by the sergeant in the

[57:04] Army by the by the corporate executive

[57:07] that we take our first job from by by

[57:09] the professor at the University to some

[57:11] extent but the

[57:14] sergeant is not the equal of the old

[57:17] male initiators because he's not

[57:19] interested in your

[57:20] soul in your soul in your soul he's

[57:23] interested in you're not dying or he's

[57:25] interested in your physical health or

[57:27] he's interested in your obedience but

[57:28] the old male initiators we're talking

[57:30] about King Arthur would be one is

[57:32] interested in the soul of the young man

[57:35] that's what the that's what the young

[57:37] men are missing that there isn't any

[57:39] older men who are interested in their

[57:42] souls and you you mentioned King Arthur

[57:44] he was a mentor to the knights he was

[57:46] the one who stood at the gate yes you

[57:48] could say that a beautiful thing see uh

[57:50] one of the ways to think about a m

[57:51] initiation it goes in this way posibly

[57:54] first stage is bonding with the mother

[57:56] and separation from The Mother We Do the

[57:58] bonding with the mother pretty well in

[57:59] this country we don't do the separation

[58:01] well at all there's no ritual for it

[58:04] secondly bonding with the father and

[58:05] separation from the father now we don't

[58:07] do the bonding with the father well what

[58:09] did Jeffrey Gore say in the Americans he

[58:11] said in order to become American it's

[58:13] necessary first of all to reject your

[58:15] father that's about all it is necessary

[58:17] you don't even attack him as in frud you

[58:19] disregard him as ridiculous as in all

[58:21] those movies that we're seeing in all

[58:23] the film strips and all of the situation

[58:25] comedies in which the men are the

[58:26] fathers are completely ridiculous you

[58:28] know those sure all over television the

[58:30] father's a fool and the the woman is a

[58:33] wonderful person that knows everything

[58:35] and the the man is in bad shape you know

[58:37] and he the woman says you should have

[58:39] contracts and he says what is contracts

[58:42] she tells him what it is you mean the

[58:45] man doesn't know what context is so

[58:48] there is this feeling in which all over

[58:50] situation comedy the young males writing

[58:52] that are rejecting their fathers over

[58:54] again in order to become Real Americans

[58:56] okay so um the second thing is bonding

[59:00] with the father and separation from the

[59:01] father in a culture in which you reject

[59:03] the father automatically is in America

[59:05] often times you don't become bonded with

[59:07] your father until you're 40 or 46 that's

[59:08] what I told you in my story well how do

[59:10] you bond with the father who's absent

[59:12] all the time who goes off to the office

[59:13] 8 10 12 15 30 miles sometimes you have

[59:15] to wait till he's 63 and he's

[59:18] home it's not easy the men that I know

[59:21] say they're 50 years old they're 45

[59:23] years old they call up their father and

[59:25] he's they said here's your mother and

[59:26] they said wait a minute you know I'm

[59:28] going to take you down to New Mexico

[59:30] we're going to go down to New Mexico for

[59:31] 5 days no yes you're going to go I'm

[59:33] going to pay for it and we're going to

[59:34] go well that's that that's a bonding

[59:37] sometimes takes place with their father

[59:38] there the son has to do it son has to

[59:41] make the

[59:42] motion but that's the the stage of

[59:44] bonding that's a part of bonding with

[59:46] the father and after that you still have

[59:47] to do the separation then the third

[59:49] stage is called the appearance of the

[59:50] male mother the male mother the male

[59:52] mother that is a man who does nurturing

[59:55] in a similar way as woman only is not a

[59:57] woman now King Arthur acted that way for

[1:00:00] those young men what does he do cuts his

[1:00:02] arm and gives him the

[1:00:04] blood he nourishes them and nourishes

[1:00:07] their

[1:00:08] souls so this is like Pablo Cal was a

[1:00:11] wonderful male mother every Jazz every

[1:00:13] black jazz musician in this Century has

[1:00:15] had a great male mother round midnight

[1:00:17] was about that you remember the first

[1:00:18] scene of around midnight he walks into a

[1:00:20] hotel room in Paris and you don't know

[1:00:22] what's going on and the black musician

[1:00:24] stands there a long time and finally

[1:00:25] someone says is this where he died and

[1:00:27] he says well I guess so but these rooms

[1:00:29] all look so much alive that was a room

[1:00:32] where his male mother his mentor his

[1:00:34] male Mentor had died well you're talking

[1:00:35] about a mentor you're just a mentor

[1:00:37] you're just using the phrase mother of M

[1:00:39] male mother I'm using it I mean a mentor

[1:00:41] and so King Arthur was a mentor to those

[1:00:44] young men and when when the male mother

[1:00:46] or the mentor comes along it helps the

[1:00:47] young male to separate from his mother

[1:00:49] and from his

[1:00:51] father because he has a man who is not

[1:00:53] his father Who's acting to him both as a

[1:00:55] mother and and a father

[1:00:57] that's the third stage Wordsworth has

[1:00:58] this wonderful poem in which he talks

[1:01:00] about the old man who sat under the tree

[1:01:02] you found that too yes he the old man

[1:01:03] sits under the tree and he says he

[1:01:05] picked me out from all the rosie boys

[1:01:06] and I became a comrade for life I

[1:01:08] couldn't believe that passage when I

[1:01:10] read it and he was in grammar school and

[1:01:12] an old man there at the edge of town

[1:01:13] would talk with him every day and

[1:01:15] Wordsworth at the end says I think he

[1:01:16] had the greatest mind in England do you

[1:01:18] remember that because he had given that

[1:01:20] boy so much that's a perfect example

[1:01:21] that's how you produce Awards work where

[1:01:23] did we get our mentors today I tell the

[1:01:25] men you know you have to look for it

[1:01:27] your father came to

[1:01:28] you you didn't have to look for your

[1:01:30] father but you have to look for your

[1:01:31] Mentor if you want a mentor you have to

[1:01:33] go look for him that means that uh

[1:01:35] usually he's in your field but not

[1:01:36] always if you're an architect you go and

[1:01:38] look for a male Mentor you know I I

[1:01:40] meant Zen Georgie I sto to see Zen

[1:01:42] Georgie one day the one who invented

[1:01:44] Vitamin C got three Nobel prizes and I

[1:01:47] said to him um he was living alone on

[1:01:49] Woodstock and he told me VAR things and

[1:01:51] he when I get out of graduate school I

[1:01:53] me I knew exactly who I wanted to work

[1:01:55] with I would have walked 150 miles to

[1:01:57] work with this man and I did I worked

[1:01:59] with him I loved him and he said I've

[1:02:01] been here 30 years not a single American

[1:02:03] man has ever come in front of to work

[1:02:04] with me I said well maybe they're not

[1:02:07] interested in ideas they're not interest

[1:02:08] in ideas he said you know what they're

[1:02:09] interested in retirement

[1:02:11] plans he was a wonderful old man but he

[1:02:14] was waiting to be a mentor or a male

[1:02:16] mother to Young American scientists and

[1:02:18] they didn't know the tradition and they

[1:02:19] didn't go to him in these traditional

[1:02:21] cultures when these older men played

[1:02:23] this role for young men what were the

[1:02:25] older men what were the male mother's

[1:02:27] doing for the

[1:02:28] boys when the male mother is there and

[1:02:32] the mentor is there one thing he does is

[1:02:35] bless the young

[1:02:38] men and it's so strange that men need

[1:02:42] blessing from older

[1:02:44] men Robert Moore I heard him say in a

[1:02:46] tape if you're a young man and you're

[1:02:49] not being admired by an older man you're

[1:02:51] being

[1:02:52] hurt I like that a great deal

[1:02:56] um so that many women bless young men

[1:03:01] but the man still needs a blessing from

[1:03:03] an older man you know I heard Robert

[1:03:06] Moore say it to a group of men how many

[1:03:08] of

[1:03:09] you have admired a younger man in the

[1:03:12] last two weeks and told him so

[1:03:16] silence how many of you were admired by

[1:03:19] older men when you were young

[1:03:22] silence then he said that sentence if

[1:03:24] you're a young man you do not be in ired

[1:03:26] by an older man you're being

[1:03:28] hurt Robert Moore from Chicago is a

[1:03:31] wonderful man he's beginning to do work

[1:03:33] with men he's has about 11° and I heard

[1:03:36] him the other day and one of the things

[1:03:37] he says men do not learn except in

[1:03:39] ritual space I was astounded at the idea

[1:03:43] men do not learn except in ritual space

[1:03:46] and he said I know from talking to the

[1:03:47] men who' been there that you set up a

[1:03:49] ritual

[1:03:50] space how you don't know how you do it

[1:03:52] but it's done and partly it's done

[1:03:54] because no women are there partly it's

[1:03:55] done because it's in the wood partly

[1:03:56] it's done because older men are there

[1:03:58] now we take all the older men we have

[1:03:59] over 60 we put them all in the front row

[1:04:01] you can't imagine how that helps with

[1:04:03] ritual space these men that I used to

[1:04:05] ask to sit in the front here they had

[1:04:07] never been honored as an older man in

[1:04:08] their whole life they couldn't believe

[1:04:10] it can we do that now shall we do it

[1:04:13] let's do it all the men over 55 would

[1:04:16] you come up here and sit down in the

[1:04:17] front

[1:04:23] row would you come down come on over

[1:04:25] here

[1:04:30] [Applause]

[1:04:35] I told Bill a story last night that uh

[1:04:38] we did one up in um Upstate New York uh

[1:04:42] in July last year at the Old Shaker

[1:04:44] Colony it was very interesting we were

[1:04:45] up in the old Hill where the Shakers

[1:04:47] used to have their stuff we had about 85

[1:04:49] men and they had a big tent up there it

[1:04:51] was a big tent so we were in this tent

[1:04:53] for six days but the fourth day we

[1:04:56] started to go into fathers and so on and

[1:04:58] the young men were very good and they

[1:05:00] started to be very open and talk a lot

[1:05:02] and pretty soon the younger men were

[1:05:04] weeping and and uh with their fathers

[1:05:06] and a lot of weeping went on on the

[1:05:07] fourth and the fifth day on the sixth

[1:05:09] day which was the last morning we had

[1:05:11] the old man here on the front and uh

[1:05:14] there was a wonderful man uh who is C

[1:05:16] Heins was his name Heins and he was 75

[1:05:19] and he was in the Heron clan we had

[1:05:21] herens and we had a we usually get a

[1:05:23] Samba going and everybody dances for

[1:05:25] five or six hours and the Heron Clan

[1:05:27] were brought in at one point to dance

[1:05:28] and they don't know how to dance

[1:05:29] suddenly hin stopped the whole thing and

[1:05:31] hin started to do the Heron

[1:05:38] dance you know it took him five

[1:05:42] minutes all the young men broke off

[1:05:44] immediately went behind hins and they

[1:05:46] did the hand

[1:05:49] Dan so beautiful he knew that the hand

[1:05:53] dance is done slowly doesn't R fast he's

[1:05:56] 75 he knew how to do the herend dance

[1:05:59] and he did that gorgeously and suddenly

[1:06:01] all the young men were following him he

[1:06:03] was doing the herend dance that night

[1:06:05] the next morning we were sitting here

[1:06:08] and all of a sudden hin had um his his

[1:06:12] wife had died three months before and he

[1:06:14] hadn't wept for her because you know

[1:06:17] people don't weep much at

[1:06:20] funerals and he had been given

[1:06:23] permission by the younger men to weep

[1:06:27] and suddenly he started to weep and he

[1:06:30] walked up and another man was over here

[1:06:31] 78 whose wife had died three years

[1:06:33] before and he hadn't wept for her either

[1:06:36] and he got up and went over and those

[1:06:37] two old men started to hold each other

[1:06:39] and

[1:06:40] weep and they wept for 20

[1:06:43] minutes and the young man just sat there

[1:06:46] and we did a little chant while these

[1:06:48] two old men

[1:06:50] wept that's ritual space isn't

[1:06:53] it you talk about the old man giving

[1:06:56] young men Zeus energy uhhuh what do you

[1:07:00] mean Zeus energy well the way the way

[1:07:02] that the king is described in Greek

[1:07:04] mythology is through the image of Zeus

[1:07:07] and

[1:07:08] Zeus Zeus energy is Authority that the

[1:07:12] male the man takes for the sake of the

[1:07:15] community the American Indians uh in uh

[1:07:18] up in Upstate New York for example had a

[1:07:20] strong chiefship the chief was chosen by

[1:07:24] women but once the chief Chief was

[1:07:26] chosen he had to agree to give up all

[1:07:28] property he had nothing that was his and

[1:07:31] the authority that he had was for the

[1:07:33] sake of the community now that's we

[1:07:35] don't have Zeus energy in the

[1:07:37] corporations because they take authority

[1:07:39] for the sake of their corporation they

[1:07:41] take power for the sake of their

[1:07:42] corporation Exxon takes power for the

[1:07:45] sake of the corporation not for the sake

[1:07:46] of the environment where did you get

[1:07:48] your Zeus energy I don't know if I have

[1:07:50] any Zeus energy I could just have a big

[1:07:52] mouth you know that's always a possib I

[1:07:54] happen to know that there are a lot of

[1:07:56] Young Writers and artists and students

[1:07:59] who who look to you as a mentor men

[1:08:02] didn't trust

[1:08:04] me until I was maybe 45 or

[1:08:08] 50 and I don't know what that was I

[1:08:11] noticed it they were

[1:08:14] right so that whether it was they were

[1:08:17] right not to trust me that's

[1:08:19] right if if I don't have a connection

[1:08:22] with my father where is my grounding

[1:08:26] if I don't have a connection with grief

[1:08:28] where's my

[1:08:29] grounding so somewhere along the line

[1:08:32] because of the various disasters of my

[1:08:34] life I must have got in touch with some

[1:08:36] sort of grief um and uh and then I've

[1:08:39] done a lot of work to try to to maintain

[1:08:41] my connection with my father and deepen

[1:08:43] that and um but you know I think that's

[1:08:46] that's something there I don't know what

[1:08:48] it is Robert how can a 46 year old man

[1:08:52] bond with his father after those long

[1:08:57] years of estrangement I wrote a poem on

[1:09:00] that subject and it says some some for

[1:09:03] your said uh it must have

[1:09:05] been it must have been a fire that

[1:09:07] nearly blew out or a large soul

[1:09:10] inadequately feathered that became cold

[1:09:13] and angered some four-year-old boy in

[1:09:16] you chilled by your mother misprised by

[1:09:20] your father said I will defy I will win

[1:09:25] any way I will show them when Alice's

[1:09:29] that's my mother's well-off sister

[1:09:31] offered to take your two boys during the

[1:09:34] Depression you said it

[1:09:36] again now you say the defiant words to

[1:09:41] death this this uh four-year-old old man

[1:09:45] in you does as he likes he likes to stay

[1:09:48] alive through him you you overwhelm

[1:09:54] overlive get on top

[1:09:57] you gave me this and I do not refuse it

[1:10:02] it is in

[1:10:05] me

[1:10:08] so that I realized then that I that my

[1:10:11] father gave me

[1:10:13] this I will defy I will win anyway and

[1:10:17] that's a gift it's not the gift I wanted

[1:10:20] my father my other father was Yates he

[1:10:23] was my male

[1:10:24] mother he was wasn't alive but your Mand

[1:10:27] doesn't have to be alive does that make

[1:10:29] sense to you what does a a male mother

[1:10:32] do that the father doesn't do the father

[1:10:35] cannot do initiation well with the son

[1:10:38] because there's too much tension you're

[1:10:40] both interested in the same woman that's

[1:10:42] a

[1:10:44] problem and um when men recognize that

[1:10:48] their

[1:10:49] father when the initiators are gone then

[1:10:52] there's no one to welcome the young man

[1:10:53] into the into the male world and and all

[1:10:56] young men are angry about that when

[1:10:57] you're looking at a gang you're looking

[1:10:59] at uh young males who have no older man

[1:11:01] to welcome them into the whale world

[1:11:03] they're trying desperately to do it

[1:11:05] themselves they're trying to teach each

[1:11:06] other what courage is how much pain you

[1:11:08] should endure what a cause is they're

[1:11:10] trying to do it doesn't work because

[1:11:12] young males cannot initiate each other

[1:11:14] but they're angry at the absence of the

[1:11:16] older males who are not doing that well

[1:11:18] when this group of old male initiators

[1:11:20] disappears and everything falls on the

[1:11:22] Father the father is supposed to do

[1:11:23] everything and when the young man that I

[1:11:25] taught to realize that their father

[1:11:27] could not have done

[1:11:29] that then they began thinking of the

[1:11:33] things their father did do to try to

[1:11:36] initiate them often times they they're

[1:11:38] touched they weep when they think of the

[1:11:40] possibility so when the Our father was

[1:11:42] only intended to keep us through the age

[1:11:44] of 35 and make sure we didn't get eaten

[1:11:45] by ants and stuff like that he was never

[1:11:47] intended to initiate us and when the

[1:11:49] father is gone as happens so often in

[1:11:52] America

[1:11:53] today often it's just a a single mother

[1:11:57] who is left to do it all the initiation

[1:11:59] that's right and women's try very hard

[1:12:01] with that and I remember I said it that

[1:12:03] thing in Evanson I said

[1:12:05] um you know a woman can bring a boy can

[1:12:09] bring a can bring the boy from the fetus

[1:12:12] to be a boy but she cannot move him from

[1:12:14] a boy to being a man only other men can

[1:12:16] do that and some of the women got angry

[1:12:19] and another woman said I think he's

[1:12:21] right because when I was my boy was in

[1:12:23] high school I knew that he needed

[1:12:25] something harder than I could give him

[1:12:28] and if I did that I'd lose my own

[1:12:30] femininity so is this to say that women

[1:12:33] try very hard with this and it's

[1:12:35] hopeless they cannot really guide a boy

[1:12:39] all the way to being a man that's a job

[1:12:41] for the men to do and if a woman is in

[1:12:43] that situation then she should recognize

[1:12:46] that and try to find some older man that

[1:12:48] she trusts and ask him to hold the boy

[1:12:52] in his

[1:12:53] heart it isn't necessary that take the

[1:12:56] boy to the zoo every other day but many

[1:12:58] young men do not know a single older man

[1:13:02] who encourages them or holds them in

[1:13:04] their heart so to some of the men who

[1:13:07] come to my things I say this next year

[1:13:09] you're not going to pay with me with

[1:13:10] money what I'd like you to do is to go

[1:13:12] out and find a young man who doesn't

[1:13:14] have any father in the house I'd like

[1:13:16] you to hold that boy in your heart which

[1:13:18] means that you you may write him once a

[1:13:20] month you may take him somewhere once a

[1:13:22] month but he knows that he has a heart

[1:13:24] link through you with the male world and

[1:13:27] uh that's a responsibility that the men

[1:13:30] have started have got to take in this

[1:13:31] country they've got to take more

[1:13:33] responsibility for the younger man for

[1:13:36] encouraging the younger man admiring the

[1:13:37] younger man and holding the younger man

[1:13:39] in their hearts how do we get in touch

[1:13:42] with the male mother that's in us how do

[1:13:44] I find in me the male mother that serves

[1:13:47] another young man I would think that

[1:13:50] first of all one would consciously

[1:13:53] reject the idea that all men are in

[1:13:57] competition in business that is the

[1:13:59] primary assumption and in fact it

[1:14:03] happens so that there are very few

[1:14:05] genuine male mothers in

[1:14:08] business there are an exceptions of

[1:14:10] course

[1:14:12] but I would say

[1:14:15] that first of

[1:14:17] all I never realized that younger men

[1:14:21] needed anything I had to give

[1:14:24] them except job yes that kind of thing I

[1:14:28] didn't realize that they are hungry and

[1:14:31] thirsty for a simple connection to an

[1:14:35] older man that's not

[1:14:37] shaming what did the older man say clean

[1:14:40] up your room right you did this wrong

[1:14:42] you have to stay after school you're

[1:14:45] foolish

[1:14:46] stupid and then they go to women for

[1:14:49] Comfort but what if what if they could

[1:14:52] go to to older men for comfort then the

[1:14:54] women wouldn't be so burdened with with

[1:14:55] all these aspirins and

[1:14:57] stuff uh I think it' be a great relief

[1:14:59] to

[1:15:00] women that when the men could go to

[1:15:03] other men for comfort so I have to

[1:15:05] realize that by being an older man I

[1:15:07] have some substance that's helpful to

[1:15:10] younger men and then uh I also have to

[1:15:15] realize that I can perform something for

[1:15:18] them without intending

[1:15:19] to by being consciously aware that they

[1:15:22] need to step from the father to an older

[1:15:25] man to

[1:15:27] God and I'm not a guru because I'm not

[1:15:30] going to I'm not that I people say to me

[1:15:32] you know will you can I be will you be

[1:15:34] my father I say if it doesn't cost me

[1:15:36] anything you know I'll think about it

[1:15:37] but it isn't anything I do that I you

[1:15:40] understand me that you just have to

[1:15:41] agree that that's an important thing as

[1:15:44] as is supporting your family or loving

[1:15:46] your

[1:15:47] wife uh or protecting Earth a fourth

[1:15:51] important thing you can do is to be open

[1:15:53] to the younger men and recognize that

[1:15:55] they they can use a blessing from you

[1:15:58] and the way it's done in a place like

[1:15:59] Russia where there the where the um

[1:16:02] toast is so fantastic the toasts and

[1:16:04] when they do toast at the dinner table

[1:16:06] they will toast a younger man now the

[1:16:08] idea is that they have to see that

[1:16:09] younger man clearly no lying no flattery

[1:16:13] they have to be able to see there and

[1:16:15] then and then at the same time do some

[1:16:18] praise there so do some praise do some

[1:16:22] praise blessing is a form of praise

[1:16:25] remember what Robert Moore said how many

[1:16:28] young men have you admired in the last

[1:16:31] two weeks and told them

[1:16:33] so are you confused about what it is to

[1:16:36] be a man today or about what a society

[1:16:38] expects of you as a man well I've gotten

[1:16:41] a whole lot of contradictory signals in

[1:16:43] my life

[1:16:44] Bill and and I'm you know it's to be

[1:16:48] Superman and Superwoman to be the best

[1:16:52] parent to be the best child to be the

[1:16:54] best person person to be everything to

[1:16:56] everybody and then it still never seems

[1:16:58] to be good enough I feel safer talking

[1:17:00] with men than I do with women and and

[1:17:03] kind of in this vein that I can tell you

[1:17:05] what I think about you and if it hurts

[1:17:07] you somehow that doesn't it doesn't

[1:17:10] affect me but if you were a woman and I

[1:17:11] told you something it hurt you then

[1:17:13] somehow I'd be responsible for hurting

[1:17:15] you but if you're male take it you know

[1:17:17] we're also afraid of women and I don't

[1:17:19] know why that is that's a an interesting

[1:17:21] Discovery to make after so many

[1:17:23] relationships um and right now now I too

[1:17:25] feel a little safer with men and I I

[1:17:28] don't have an explanation for that as

[1:17:30] males you grow up with your emotional

[1:17:32] experience centered on

[1:17:34] women yeah that's right and and and all

[1:17:37] the political and economic and military

[1:17:40] power in the world doesn't erase that

[1:17:43] dependency and uh and so one feels

[1:17:46] hamstrung sometimes in the presence of

[1:17:48] this kind of womanly and we deal with

[1:17:50] that at home we deal with females at

[1:17:51] home but we don't ever have other males

[1:17:53] with the exception of our sons we don't

[1:17:55] ever have other males that we can talk

[1:17:56] that about but I can talk to my wife

[1:17:57] about female point of view and and that

[1:18:00] but I'm very selom do I get together

[1:18:01] with guys and talk about it I realized I

[1:18:04] desperately want to heal my relationship

[1:18:06] with my father and it's very difficult

[1:18:08] for me and I I see a lot of issues in my

[1:18:10] life that I become frustrated with with

[1:18:13] myself and I blame myself a lot and now

[1:18:16] I realize my dad is as strong as my

[1:18:18] feelings are for and against him still

[1:18:21] very important to me and I do much

[1:18:23] better with that when I really realize

[1:18:25] that there are other men that also have

[1:18:27] that as an important issue in their

[1:18:28] lives for some of us the problem is all

[1:18:30] the more poignant our fathers have died

[1:18:33] how do we resolve that I mean I can feel

[1:18:36] it my voice my voice is changing now as

[1:18:39] I try to express why do you think your

[1:18:41] voice is changing because of the emotion

[1:18:44] I mean uh thank you um what do you need

[1:18:48] to heal with your

[1:18:51] father

[1:18:52] list I'm not sure what it is

[1:18:55] tried to show love and it was

[1:18:58] rejected tried to seek advice and it was

[1:19:01] a put

[1:19:03] down well one of the reasons I came is

[1:19:06] because there seems to me to be for

[1:19:08] years an incredible lack of strong men

[1:19:11] clear men powerful men in this world and

[1:19:14] Robert blly is one of those men of power

[1:19:17] amen and I really I always grew up

[1:19:20] believing that nature Bard a vacuum and

[1:19:23] what I see is that we've got gotten so

[1:19:25] close to a complete vacuum of powerful

[1:19:28] male men in this world male models of of

[1:19:31] clarity initiated men that we men are

[1:19:34] trying to ReDiscover

[1:19:36] fire and and that is the quest are you

[1:19:40] aware that some people say this is a

[1:19:41] throwback a regression to the

[1:19:43] segregation of the past to the time when

[1:19:45] men had their own private clubs and

[1:19:47] could talk about things without worrying

[1:19:49] about anybody catching onto their

[1:19:51] secrets that this is a throwback I don't

[1:19:53] think it's that way at all women learned

[1:19:56] that they will say certain things when

[1:19:57] men are not

[1:20:00] present women will talk about certain

[1:20:02] things when men are not

[1:20:04] present and that's surely true of men

[1:20:07] because the sexist can shame each other

[1:20:09] so

[1:20:10] easily so for the men getting near their

[1:20:13] grief it's really important that it be

[1:20:14] done in the presence of men are you so

[1:20:17] it isn't an attempt to exclude women in

[1:20:19] that sense at all you think that men

[1:20:21] have a harder time with relationship

[1:20:23] than women I I think that men cannot mix

[1:20:26] words with feelings as well as women and

[1:20:28] this has been known for a long time but

[1:20:31] sometimes the fury of the male happens

[1:20:34] because the woman is able to go ahead of

[1:20:36] him go ahead of him finishes his

[1:20:38] sentences for him goes on ahead and and

[1:20:41] and and and he cannot do it the mix

[1:20:45] isn't there it takes him a long time to

[1:20:47] learn how to do that 40 or 50 years the

[1:20:49] woman can often do it at 14 and some of

[1:20:51] the Rage of men has to do with that so

[1:20:54] it's important for men to be together

[1:20:56] and expressing their feelings at their

[1:20:58] own pace which is slower than women's

[1:21:00] Pace at their own pace and then

[1:21:02] eventually they come down into grief and

[1:21:04] they come down into some other place the

[1:21:06] amount of feeling on the fourth day of a

[1:21:08] men's group alone is is unbelievable

[1:21:10] fantastic to someone who hasn't been

[1:21:12] there that the um uh that the they will

[1:21:16] show more feeling and Amaze themselves

[1:21:18] with the depths of their feelings and

[1:21:21] many times they wouldn't have shown that

[1:21:22] to a woman later they can do so what

[1:21:25] does all of this have to do with with

[1:21:27] poetry well you know there are two kinds

[1:21:31] of men's groups in one kind of men's

[1:21:32] groups you you you use psychological

[1:21:35] jargon which is okay but those men's

[1:21:37] groups usually end up complaining about

[1:21:39] their wives for three months and then it

[1:21:41] stops the other kind of men's groups in

[1:21:44] which they use mythology and fairy

[1:21:45] Stories the fairy stories were in this

[1:21:47] territory long before us and when you go

[1:21:50] into the male area through the fairy

[1:21:51] story you find that many men have had

[1:21:54] this suffering long before you so

[1:21:56] therefore mythology I have found to be

[1:22:00] wonderful in teaching in teaching and

[1:22:02] trying to teach to use story and

[1:22:04] mythology fairy tales in particular yeah

[1:22:07] why well they're not connected to any

[1:22:09] one God you see a fairy tale and a myth

[1:22:11] are alike but the difference is that the

[1:22:13] name of the God is not mentioned in the

[1:22:14] fairy story so therefore it's a social

[1:22:16] form and can be told with jokes or in

[1:22:17] any way but it still contains all the

[1:22:19] energies in the in the in their genius

[1:22:22] so as for poetry

[1:22:25] uh Gary Snider said the wonderful thing

[1:22:28] the function of the poet is to find out

[1:22:30] what part of the mythology is useful in

[1:22:32] his life

[1:22:34] time Milton did

[1:22:37] that made the wrong choice in my opinion

[1:22:40] but that's what he did so therefore the

[1:22:42] old connection to the poet with

[1:22:44] mythology is centuries and centuries old

[1:22:47] the poet is not connected primarily only

[1:22:49] to the lyric poem or the poem of feeling

[1:22:51] but he's someone who filters the

[1:22:52] available mythology and people have

[1:22:55] praise me for what I've done with the

[1:22:56] men it's nothing but finding a couple of

[1:22:58] fairy stories that are useful that's all

[1:23:00] it amounts

[1:23:02] to after a long walk in the woods

[1:23:05] clearcut for

[1:23:06] lumber lit up by a few young

[1:23:09] Pines I turn

[1:23:12] home drawn to

[1:23:16] water a coffin like band softens half

[1:23:19] the

[1:23:21] leg draws the shadow down from Westward

[1:23:27] Hill it is a massive masculine Shadow 50

[1:23:31] male sitting together in hall or crowded

[1:23:34] room lifting something indistinct up

[1:23:40] into the resonating

[1:23:42] night the woman stays in the kitchen and

[1:23:46] does not want to waste fuel by lighting

[1:23:49] a lamp while she waits for the drunk

[1:23:52] husband to come home

[1:23:55] [Music]

[1:23:59] and when he does she serves him food in

[1:24:05] silence what does the son

[1:24:08] do he turns

[1:24:10] away loses

[1:24:14] courage goes Outdoors to feed with Wild

[1:24:18] Things lives among dens and Huts eats

[1:24:24] distance

[1:24:25] in

[1:24:26] silence he grows long Wings enters the

[1:24:31] spiral

[1:24:35] Ascent how far he is from working men

[1:24:38] when he is

[1:24:40] 40 from all

[1:24:44] men the male singing chant far out on

[1:24:49] the water

[1:24:51] grounded in downward shadow

[1:24:55] [Music]

[1:24:57] he cannot go

[1:24:59] there

[1:25:02] because he has not

[1:25:06] grieved as humans

[1:25:11] grieve if someone's head was cut off in

[1:25:14] my family whose was

[1:25:17] it the

[1:25:19] mothers or the

[1:25:22] father's or his

[1:25:30] the dark comes down

[1:25:34] slowly the way snow

[1:25:37] falls or herds pass a cave

[1:25:41] mouth I look up at the other

[1:25:46] Shore it

[1:25:48] is

[1:25:52] night from Austin Texas is this has been

[1:25:55] a gathering of men with Robert blly I'm

[1:25:58] Bill Moyers

[1:26:03] [Music]

[1:26:10] [Music]

[1:26:32] [Music]

[1:26:41] [Music]

[1:26:53] is e

[1:28:53] e e

Robert Bly
ArtistRobert Bly

Robert Bly (1926–2021) was an American poet, translator, and editor whose work in mid-century literature and the mythopoetic men's movement shaped both poetry and social thought. H…

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MasculinityFather-sonMale-initiationGrief-menEmotional-growth

Got Questions?

Frequently Asked Questions

According to Bly, the masculine models given to boys in high school (Eisenhower, John Wayne) only work until approximately age 32-33. Around 35, men discover that these templates fail them in real life—relationships break down, careers stagnate, something feels wrong. This triggers a crisis because they have no map for what mature manhood actually requires beyond the adolescent images they inherited.
Before industrialization, sons stood close to their fathers daily and learned the male mode of being through proximity and example. When fathers left home for factory and office work, this direct transmission stopped. The average American father now spends only about 10 minutes a day with his son, breaking a chain of masculine knowledge that had lasted for generations.
In traditional cultures, older unrelated men (not fathers) initiated boys into manhood because they had no authority conflict with the boy and could teach genuine adult responsibility. When these initiators disappeared and fathers became absent, boys lost the formal guidance needed to enter the masculine realm. Men's gatherings attempt to restore this function by creating space where older men mentor younger ones.
No. Bly clarifies that men's gatherings are not attempts to restore aggressive, dominating masculinity or to oppose the women's movement. They arise from a deeper wound—the loss of connection between fathers and sons—that began 140 years ago. Men are drawn to these spaces by grief and loss, and by hope that they can learn from one another to build a mature masculinity.
Poetry and myth make abstract pain concrete and recognizable. When Bly recites Machado's poem about a withered garden or tells a fairy tale about a young man entering a dangerous forest, he's offering images that reorganize how men understand their experience. These aren't intellectual arguments but invitations into felt understanding that connect men to archetypal patterns in their own lives.
Bly identifies unacknowledged grief rooted in the separation of fathers and sons—a wound passed down through generations. Men have been taught not to cry or admit confusion, so this grief remains silent and cumulative. Unlike women, who have built networks to share experience, men suffer largely in isolation, unaware that their confusion is collective, not individual failure.
Yes, though it requires grieving what was not given and recognizing that fathers themselves are wounded by the same broken system. Healing happens when a man can articulate what he needed, understand his father as a fellow sufferer, and begin to see him with compassion. In the absence of a biological father, mentors and older men in community can fill this role.

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