Transcript
[0:18] [Music]
[0:24] we are leaving our time
[0:25] [Music]
[0:27] now we are leaving our time now
[0:31] [Music]
[0:33] there are places where time moves more
[0:35] slowly than
[0:36] [Music]
[0:38] here we honor all four directions
[0:41] east west north
[0:46] south and we also honor the fifth
[0:48] Direction the vertical one which is in
[0:51] us today here
[0:58] [Music]
[1:06] once upon a
[1:09] time there was a king and a
[1:12] [Music]
[1:13] queen and they lived in a
[1:16] castle and near the castle there was a
[1:21] forest you know there's always a forest
[1:24] near the
[1:27] castle and this forest was like other
[1:30] forc with one
[1:32] exception when anyone went into it he
[1:34] didn't come
[1:36] back five Hunters went out and they
[1:39] didn't come back 10 Hunters were sent
[1:41] after them and they didn't come
[1:44] back then 20 Hunters went out and they
[1:47] did not come back and then 30 Hunters
[1:50] were sent after them and they did not
[1:51] come back and pretty soon no one went to
[1:55] that part of the forest
[1:58] anymore only a orally a hawk or an eagle
[2:02] flew over it that identifies this as a
[2:05] male story Hawk and the eagle or male
[2:07] birds that was a
[2:11] situation that's the way it
[2:13] lasted for many
[2:16] years finally one day a young man came
[2:20] and he said anything dangerous to do
[2:22] around
[2:26] here and the King said yes it is but uh
[2:30] I don't recommend it because the return
[2:32] rate is not
[2:36] good and the young man said that's the
[2:39] sort of thing I like I think I'll go so
[2:42] he went taking only his dog with
[2:44] him maybe the fact that he didn't go in
[2:47] a group was a part of
[2:48] it he took only his dog with him and he
[2:52] walked into the forest and he walked a
[2:54] long way into the forest and all of a
[2:57] sudden a hand came up out of the pond
[3:00] and pulled the dog
[3:04] down and he didn't get
[3:06] hysterical he just said this must be the
[3:16] [Music]
[3:26] place I'm Bill Moyers the title of this
[3:29] program is a gathering of men but women
[3:31] are invited too what we're exploring is
[3:34] the confusion many men feel today about
[3:36] their roles in society and their inner
[3:39] lives as well women have a stake in how
[3:42] men address these issues of course just
[3:44] as men have been affected over the years
[3:46] by the feminist movement it's not
[3:48] accurate to describe what's happening as
[3:50] a a men's movement as such but
[3:52] Gatherings like this one in Austin Texas
[3:54] are taking place more and more
[3:55] frequently and they're drawing larger
[3:57] and larger numbers of men what summons
[4:00] these men in my experience is not a
[4:02] desire to separate again from women or
[4:04] to move back to that destructive
[4:06] aggressive and dominating masculine
[4:08] personality of more chauvinistic days to
[4:11] the contrary men are drawn to these
[4:13] Retreats by a sense of loss a loss of
[4:16] familiar myths and road maps but also by
[4:19] a sense of hope there is something
[4:21] optimistic about the very willingness of
[4:23] men to learn from one another through
[4:25] sharing their confusion over the
[4:27] problems of life for many of these men
[4:29] there's also the chance to share in the
[4:31] hard one wisdom of Robert
[4:34] blly Robert Blye is arguably the most
[4:37] influential American poet living today
[4:39] whether writing about silence in the
[4:41] snowy fields or the light around the
[4:43] body about the war in Vietnam or the
[4:45] archaeology of private memory he confers
[4:48] upon even the simplest words await and
[4:51] consequence of new things born on the
[4:54] Minnesota Prairie of Norwegian Lutheran
[4:56] stock fly first attended a one room
[4:58] school then the University of Iowa and
[5:01] Harvard but the experience of his own
[5:03] life and the poems myths and fairy tales
[5:06] of the world have been his most constant
[5:08] teachers his own poems are woven from
[5:11] the realities of pain and hope
[5:12] tribulation and joy he won the national
[5:15] book award for poetry in 1968 and has
[5:18] since published a growing collection of
[5:20] poems and translations that Express what
[5:22] one critic calls a deep marriage between
[5:25] the inner and outer worlds in one man's
[5:28] life his clear strong images of
[5:30] masculine Consciousness and the honesty
[5:32] of his own autobiography have made
[5:34] Robert blly a father figure at
[5:36] Gatherings of men all over the country
[5:39] he's now writing a book on masculinity
[5:41] and one of its themes is the grief and
[5:43] loss men often feel but seldom
[5:48] [Music]
[5:53] acknowledge I'll begin with a poem by
[5:55] Antonio Machado the Spanish poem
[6:03] there's a lot of pain and grief around
[6:04] men these
[6:07] days and he touches on it
[6:14] here the wind one brilliant day called
[6:17] to my soul with an odor of
[6:20] Jasmine and the wind
[6:22] said in Return for the odor of my
[6:25] Jasmine I'd like all the odor of your
[6:27] roses
[6:30] TR said I have no
[6:33] roses all the
[6:35] flowers in my
[6:37] garden are
[6:41] dead and the wind said well then I'll
[6:43] take the withered pedals and the yellow
[6:46] leaves and the wind
[6:49] left and I
[6:51] wept and I said to
[6:53] myself what have you
[6:55] done with the
[6:57] garden that was entrusted
[7:00] to
[7:04] you good poem
[7:07] H I think this feeling of um the garden
[7:11] being blown apart doesn't happen much to
[7:13] you until you're 35 or
[7:15] so the models we were given as men in
[7:18] high
[7:19] school um well what were they Eisenhower
[7:22] John
[7:23] Wayne they only last till you maybe 32
[7:26] or 33 and then you notice that
[7:30] something's going wrong in your business
[7:32] in your private life in your
[7:34] relationships these things don't last
[7:37] and so around 35 you have to find
[7:39] another image for what a man is or what
[7:41] your man is is that clear that
[7:45] idea so it takes a little bit of courage
[7:47] to come
[7:48] here there's lots of men who feel this
[7:51] and then they won't act on it or those
[7:54] in the 20 say I'm doing fine Jack I'm
[7:57] fine it's true that women have left me
[8:00] and two beat me up but I'm doing
[8:03] fine it's true I'm bleeding from all my
[8:05] pores but I'm
[8:06] fine why a gathering of men I mean
[8:09] that's really rare isn't it to have a
[8:12] workshop for men only maybe 20 years ago
[8:15] it would have been rare but
[8:16] lately
[8:18] um the men in various parts of the
[8:20] country have begun to
[8:22] gather I think that um it
[8:27] isn't it isn't a reaction to the women
[8:30] movement
[8:31] really um I think
[8:34] the the the grief that leads to the
[8:38] men's movement
[8:40] began maybe 140 years ago when the
[8:43] Industrial Revolution began which sends
[8:46] the father out of the house to work what
[8:50] impact did that have well we receive
[8:53] something from our Father by standing
[8:54] close to him physically when we stand
[8:58] physically close to our father something
[9:01] something moves over that can't be
[9:02] described in material terms that gives
[9:05] the Sun a certain confidence an
[9:07] awareness and knowledge of what what it
[9:09] is to be male what a man is and in the
[9:11] ancient times you were always with your
[9:13] father he taught you how to do things he
[9:14] taught you how to farm he taught you to
[9:16] whatever this he did you learned from
[9:19] him but you had this sense of being of
[9:22] receiving a food from him food a food
[9:25] from your father's body now when the son
[9:28] when the father went out of the house
[9:30] indust
[9:31] Revolution that food ended and I think
[9:34] the average American father now spends
[9:36] 10 minutes a day with the son I think
[9:38] that's what the Minneapolis Tribune had
[9:40] and half of that time is spending clean
[9:42] up your room you know I it's a favorite
[9:45] phrase of mine I know it well um so the
[9:48] Industrial Revolution did not harm
[9:49] mother and daughter relationship as much
[9:51] as it did the father and son because the
[9:53] mother and daughter still stand close to
[9:55] each other and have stood close to each
[9:57] other maybe that'll change now when the
[9:59] mother is being sent out to work also
[10:01] but um but the the the the daughters
[10:05] then receive some knowledge um of what
[10:08] it is to be a woman or if you prefer to
[10:10] call it the women's the female mode of
[10:12] feeling they receive knowledge of the
[10:14] female mode of feeling and the mother
[10:16] gets that from a grandmother who got it
[10:17] from a great- grandmother who gets from
[10:19] her great-grandmother goes all the way
[10:20] down after the Industrial Revolution the
[10:23] male does not receive any knowledge from
[10:26] his father of what the male mode of
[10:28] feeling is and they old male initiators
[10:30] that used to work are not working
[10:32] anymore what do you mean male initiators
[10:34] well the you know in the in the
[10:35] traditional times you're not initiated
[10:37] by your father because there's too much
[10:39] tension between you and your father
[10:40] you're initiated by uh older unrelated
[10:43] males is the word is used older
[10:44] unrelated men they may be friends of
[10:47] your fathers they could even be uncles
[10:48] or grandfathers but they're the ones who
[10:50] used to do it then they disappear then
[10:52] it all falls on the father to do then
[10:54] the father is off at the office you see
[10:56] the picture yeah in fact in some of the
[10:58] traditional cultures
[11:00] at a night arrives and a group of men
[11:03] show up at a boy's house and they take
[11:05] him away from the home and they don't
[11:06] bring him back and for several days and
[11:08] then when he comes back he has ashes on
[11:11] his face yeah in New Guinea where they
[11:12] still do it
[11:14] today uh the men come in with Spears to
[11:17] get the boys the boys know nothing about
[11:19] the men's World they lived with their
[11:21] mother completely they say you know mama
[11:23] mama save us from these men are coming
[11:25] here now all over New Guinea the women
[11:28] except and the men except one sentence a
[11:30] boy cannot be made into a man without
[11:32] the active intervention of the older men
[11:35] now when they all accept that then the
[11:37] women's job is to be a is to be
[11:40] participants in this
[11:41] drama so so the men come and take the
[11:44] boys away and the boys are saying Save
[11:46] Me Mama you know then they go across and
[11:48] the the men have built let say an island
[11:49] they built a house for the boys in their
[11:51] Asian Hut then they take him across a
[11:53] brid then three or four of the women
[11:55] whose boys these are get their Spears
[11:58] and meet them on the bread
[12:00] and the old men have their Spears and
[12:03] the boys were saying Save Me Mama save
[12:05] me these are hor men are taking me away
[12:07] you know and they fight and everything
[12:08] and then the women are driven back then
[12:09] the women all go back and have coffee
[12:11] and say how'd I do how'd I look so that
[12:14] wonderful participation in it the women
[12:15] are not doing initiating or
[12:17] participating and then as you said
[12:20] um then he'll stay with the men for a
[12:22] year
[12:23] maybe then they will explain to him um
[12:28] something has to die
[12:31] to be born and what will have to die is
[12:33] the
[12:33] boy this is what isn't happening to the
[12:36] to the men in this culture I was giving
[12:39] a a reading in Minnesota in my little
[12:41] town this year and I I gave Rapunzel and
[12:44] cutting off the Golden Hair of Rapunzel
[12:45] and I said to the audience how many of
[12:47] you do you remember when you had your
[12:49] golden hair cut off and then later a
[12:51] young man came up to me at the party
[12:54] afterwards and he said um I didn't dare
[12:56] say anything at that time but this is
[12:59] what happened to me I was about 15 and
[13:01] my parents wanted my long hair
[13:03] off and I refused to cut it off one day
[13:07] they got me and they tied me
[13:09] down and they cut it off I started to
[13:12] beat the ground and I was weeping and
[13:14] hitting the floor and while I had
[13:16] stopped hitting the floor I was still
[13:18] weeping my grandfather walked in and he
[13:21] saw immediately what had
[13:22] happened I said what' your grandfather
[13:24] do they lived in Long Island he took the
[13:28] boy out to the ocean and he said to the
[13:30] boy you see this ocean now this is for
[13:34] you this ocean is going to be here
[13:37] whether you have long hair or short
[13:41] hair that only the grandfather can say
[13:43] that and then that man said to me you
[13:45] know he was right he said I went away
[13:48] six years later I came back I looked at
[13:49] the ocean Wham it was incredible like my
[13:53] grandfather had given it to me I said
[13:56] unbelievable
[13:58] unbelievable that's the kind of thing
[14:00] that that older men do that your father
[14:03] can't do my father was alcoholic and and
[14:06] he didn't teach me much about the male
[14:07] mode of feeling but he taught me
[14:10] something but many men have no father at
[14:14] all or the father left when they were
[14:17] two or the father doesn't say anything
[14:20] or the father doesn't talk well about
[14:24] feeling is natural it seems to be
[14:25] natural any American male comes from the
[14:28] frontier apparently so then how does he
[14:31] learn the male mode of feeling he
[14:33] doesn't and in the 60s it came to a
[14:36] crisis I think
[14:38] um uh Vietnam yes you know in the
[14:43] Vietnam War it was as if many of the
[14:46] women offered to initiate the young
[14:50] men the young men hadn't hadn't been
[14:53] helped by their
[14:54] fathers and they really were betrayed by
[14:57] the older men in a time of Vietnam and
[15:00] so the women would would offer to
[15:02] initiate them in wonderful things like
[15:05] respect for the Earth respect for Life
[15:07] respect for feeling and so on uh that
[15:09] wasn't wrong at all it was just that
[15:12] that no one has helped them with the
[15:13] male mode of feeling what's the chief
[15:15] difference as you see it between male
[15:17] feeling and female feeling uh a strong
[15:21] part of the woman's mode of feeling has
[15:24] to do with
[15:26] pain moving towards pain and helping
[15:28] moving in and also the pain of being
[15:31] devalued I mean women's values have been
[15:35] rejected in this culture for 2,000 years
[15:37] or more and women feel a strong pain in
[15:40] this
[15:42] devaluation um men don't feel devalued
[15:45] quite that much uh with the men it's
[15:48] more an area of grief as as opposed to
[15:51] pain and um you keep using that word
[15:54] grief in regard to men I you see in my
[15:57] own case um
[16:01] I began as a poet writing poetry and
[16:06] poetry deals with
[16:08] feeling but I I felt that until I felt
[16:12] that grief uh is a door to male feeling
[16:15] until I had really tried to go into some
[16:18] of the grief around my
[16:20] father I didn't feel that I had access
[16:23] to the feeling tell me about that
[16:28] um well
[16:30] well you know as men we're taught not
[16:34] to not to feel pain and grief as
[16:37] children I remember seeing one of my
[16:39] boys he was um maybe about nine uh he
[16:44] was hit in a
[16:48] basketball maybe hit by the ball and I
[16:51] saw him turn around and bend down and
[16:54] get control of his pain in his G before
[16:57] he stood up again now that same boy
[17:00] would be so wonderful in being open to
[17:03] to wounds and crying and so on when he
[17:04] was very small but you know the culture
[17:07] had said to him you cannot give way to
[17:09] that you must turn around and when you
[17:10] must turn around you must have a face
[17:12] without pain or grief in it right so
[17:15] therefore as a son of an alcoholic I
[17:17] receiv received that I mean when you're
[17:19] in an alcoholic's family you're hired to
[17:20] be cheerful that's one of your jobs
[17:22] you're appointed that way one is hired
[17:25] to be a trickster another I was hired to
[17:26] be cheerful so that so that uh when
[17:28] everyone asked me about the family I'd
[17:30] have to lie in the cheerful way and said
[17:32] oh it's wonderful yes indeed we have
[17:34] sheep you know and we have chickens and
[17:36] everything's wonderful well then then uh
[17:40] if you can deny something so fundamental
[17:43] as the Deep grief in the whole family
[17:46] you can deny anything how then how can
[17:48] you write poetry then if you're involved
[17:50] in that much
[17:52] denial so the word denial is very
[17:54] helpful to me did you resent your father
[17:57] did you feel no I I think that what
[17:59] happened was
[18:01] that as far as the grief goes uh being
[18:05] appointed to to be the cheerful one in
[18:09] the
[18:10] family I would tend to follow a movement
[18:12] upward like
[18:13] this more and more achievement more and
[18:16] more and so on H that's what you do and
[18:18] finally you redeemed the family's name
[18:20] by doing this well I got to be about 46
[18:23] or so and then I realized how unsteady I
[18:27] was and how my own poems didn't have
[18:30] well I didn't even mention my father in
[18:32] my poems until I was 46 not
[18:34] once so I look at my poems are good pors
[18:38] but there's something missing in there
[18:40] and and then I began to realize that
[18:43] that in the ancient times the movement
[18:45] for the man was downward a descent into
[18:47] grief before you're really a man that
[18:51] descent has to take place it's referred
[18:53] to in the fairy tales is the time of
[18:54] ashes and the time of descent so I wrote
[18:58] a poem at that time
[19:00] and there was the first poem I must have
[19:01] been 46 or 47 it was the first poem I'd
[19:05] written in which there was some sort of
[19:07] grief I'll read it to you you want to
[19:09] hear it mhm it's called snowbanks north
[19:11] of the house maybe you know the poem
[19:14] snowbank snow comes on from Alaska you
[19:16] know and then stops suddenly and I
[19:19] noticed that little place there where
[19:21] something stops and doesn't go further
[19:24] so I wrote this line those great sweeps
[19:27] of snow that stop suddenly 6 feet from
[19:29] the the house I left it in a drawer for
[19:31] 2 or 3 months to see what would happen
[19:33] and finally the rest of the poem came
[19:36] those great sweeps of snow that stops
[19:37] suddenly 6 feet from the house thoughts
[19:40] that go so far the boy gets out of high
[19:43] school and reads no more books and the
[19:45] son stops calling home the mother puts
[19:48] down her rolling pen and makes no more
[19:50] bread and the wife looks at her husband
[19:54] one night at a party and loves him no
[19:57] more and the energy leaves the wine and
[20:00] the minister Falls leaving the church it
[20:03] will not come closer and the one inside
[20:06] moves back and the hands touch nothing
[20:10] and are
[20:12] safe and the father Grieves for his son
[20:15] is is Lincoln and the father Grieves for
[20:17] his son and will not leave the room
[20:19] where the coffin
[20:20] stands he turns away from his wife and
[20:24] she sleeps alone and the Sea lifts and
[20:29] falls all night and the moon goes on
[20:35] through the unattached heavens
[20:38] alone and the toe of the shoe pivots in
[20:41] the
[20:43] dust and the Man in the black coat turns
[20:46] and goes back down the hill no one knows
[20:51] why he came or why he turned away and
[20:56] did not climb the hill
[21:00] what did that do for you well to me it
[21:03] was the first time that I had felt my
[21:05] words being involved not in the not in
[21:08] the new age of
[21:09] scent not in higher
[21:12] Consciousness but a movement down when
[21:15] you break off the ark and you move down
[21:17] and you go down towards your own in that
[21:20] case it had to do with the possibility
[21:21] that my life is not going to be a series
[21:23] of
[21:24] triumphs that what is asked of me is not
[21:27] to ascend but to descend
[21:30] um but how about in relation that meant
[21:32] that meant I had to start paying
[21:34] attention to my father here there in
[21:38] other words but he was here you didn't
[21:40] have him out there he was out there
[21:43] too in other words uh how shall I say it
[21:47] uh often times my father and my mother
[21:50] and father were living on a farm a mile
[21:51] from where I went I would go over and
[21:54] see them my father had lost part of one
[21:56] lung and he would be lying in the bed in
[21:58] the next to the living
[22:00] room I would go and sit and talk with my
[22:03] mother for an
[22:05] hour because I was probably in the
[22:07] conspiracy with her early
[22:10] on and if I remembered it I'd say
[22:12] goodbye to my father before I
[22:14] left now my father's lying out
[22:17] there how do you think he feels about my
[22:20] talking with uh my mother for an
[22:23] hour what can he do he thinks well
[22:26] that's nice they have a good
[22:27] relationship
[22:29] but how about
[22:31] him so therefore I realized that I had
[22:35] been in the conspiracy with my mother to
[22:36] push my father
[22:38] out since I was two or three years
[22:41] old and I decided at this same time I
[22:44] wrote that poem it's time for this to
[22:45] end I don't want to be in this
[22:47] conspiracy anymore so what I did was I
[22:51] would go in and sit down with my
[22:54] father and uh my mother would wait for
[22:57] me to come into the living room
[22:59] and I didn't I'd sit down next to him
[23:01] he's not a great conversationalist but
[23:03] we talk a little bit and eventually my
[23:06] mother would have to come in and sit
[23:07] down in the
[23:08] bed and then we all knew that some
[23:10] change had taken
[23:12] place it seems to me that you and your
[23:15] mother hadn't pushed your father out
[23:16] your father had removed himself like so
[23:18] many fathers do either through
[23:19] alcoholism or through work or through
[23:21] obsession with the world through
[23:23] ambition it's
[23:25] possible when your father is away during
[23:28] the day and during the year when he only
[23:30] comes home at 5:00 you only get his
[23:34] temperament what you used to get was his
[23:37] teaching and his
[23:38] temperament the teaching would help you
[23:41] you know how sweet it is when someone
[23:43] says well the way you make it you put
[23:44] your board nail over here you put your
[23:46] board over here and you put your T you
[23:47] do that and those teachings are sweet
[23:49] even mean men are often sweet when
[23:51] they're
[23:52] teaching and then we have that gratitude
[23:55] when someone has taught us something
[23:56] that's so wonderful we used to receive
[23:59] that from our fathers now he goes to
[24:01] work and all we get is his temperament
[24:03] when he gets home at 5: and he's tired
[24:06] and what's more at work he has been
[24:08] humiliated by older men and other men
[24:10] bosses he's been in competition with
[24:12] other men he has he has um he knows that
[24:17] his work is not going to he's not going
[24:18] to be able to see the end of his work
[24:20] it's not like making a chest of drawers
[24:22] he knows that his company is probably
[24:24] polluting Alaska how do you think he
[24:26] feels when he gets home and that's all
[24:28] you're going to get yet and I want to
[24:30] remind you that the same thing is true
[24:31] of women that many people that we call
[24:34] uh Angry feminists are women who have
[24:37] only experienced the temperament of
[24:39] their fathers they have never
[24:41] experienced the
[24:43] teaching and their attacks on the
[24:45] patriarchy are really a turned attack on
[24:48] the fact that they don't believe that
[24:50] there is any older males that have
[24:52] anything but this this irritable
[24:53] temperament is that clear what I'm
[24:55] saying so that has to be understood too
[24:58] the women only get the temperament of
[25:00] the father and it's usually irritable
[25:03] and angry one thing I have to say to the
[25:05] men is that your father is
[25:08] convinced that he is an inadequate human
[25:11] being women have been telling him that
[25:13] for 30 to 40 years he doesn't know how
[25:15] to talk he can't express himself he
[25:18] doesn't know what his feelings are
[25:20] people hear what they
[25:22] hear your father feels that he's okay
[25:25] when he's with a hammer but in every
[25:26] other way he's inadequate so you call up
[25:30] you your home and you get to your father
[25:32] and he says oh John this is this is this
[25:33] is your father here's your
[25:35] mother and I was saying there's only two
[25:37] kinds of men one kind of man is willing
[25:39] to to go along with that and the other
[25:41] kind of man says wait a minute I didn't
[25:42] call here to talk to my mother I want to
[25:44] talk to you I know you he your
[25:46] mother no no that isn't it I want to
[25:50] talk with you what about you want to
[25:52] borrow money no that's not
[25:55] it huh
[25:58] the other day I was in in in aers Kansas
[26:01] and I met a wonderful man there who was
[26:03] an economics teacher and there was a
[26:04] tiny little Catholic School in aers and
[26:07] this man came up to we start to talk his
[26:08] father was a a car mechanic who worked
[26:10] very hard knew beautifully the engines
[26:12] just knew what was wrong and so on the
[26:14] father got ill eventually got his one
[26:17] leg cut
[26:18] off was lying in bed trying to deal with
[26:21] the phantom
[26:22] pain we calls him up on the
[26:26] phone says how you doing Dan said what
[26:29] do you
[26:30] want re says uh I want to I want to say
[26:34] something to you I want to tell you how
[26:37] much I appreciated everything you
[26:39] did how much I
[26:41] appreciated all the work that you had to
[26:44] do in order to send me to
[26:47] college I'm a college teacher now and I
[26:50] want to tell you how much I appreciate
[26:52] that and how much I love you and the
[26:54] father said you've been drinking
[26:59] I thought that was wonderful I said you
[27:01] just live through the history the last
[27:03] 80
[27:04] years the father can't imagine right
[27:06] there's only two parts because men don't
[27:08] talk about feelings so if you're talking
[27:11] about feelings probably you must be
[27:15] drunk and you got to get over that you
[27:17] just no I have not been drinking I'm not
[27:20] on dope and I love you you get it
[27:30] I'll read you a poem it is the first
[27:32] poem I did at all connected with my
[27:34] father in fact it was the first one in
[27:35] which I use the word father it isn't my
[27:37] father but it's a poem called finding
[27:39] the
[27:40] [Music]
[27:53] father my friend this body offers to
[27:55] carry us for
[27:57] nothing this body offers to carry us for
[28:00] nothing as the ocean carries
[28:03] logs so on some
[28:06] days the body wailes with its great
[28:09] energy it smashes up the
[28:11] boulders lifting small crabs that flow
[28:14] around the
[28:16] sides there's a knock at the
[28:19] door there's a knock at the
[28:23] door we don't have time to
[28:26] dress he wants us to go with him him
[28:29] through the blowing and Rainy
[28:32] Streets to the dark
[28:36] house we will go there the body says and
[28:41] there find the father whom we have never
[28:44] met who wandered out in the snowstorm
[28:47] the night we were
[28:48] born and has lived since longing for his
[28:52] child whom he saw only
[28:55] once while he worked
[29:00] as a shoe
[29:01] maker as a cattle herder in
[29:05] Australia as a restaurant cook who
[29:08] painted at
[29:10] night when you light the
[29:13] lamp you will see
[29:16] him he sits
[29:18] there behind the
[29:20] door the eyebrows so
[29:23] heavy the forehead so light lonely
[29:29] in his whole body
[29:32] waiting for
[29:34] you looking for
[29:37] father finding the father it's called
[29:40] did you find your father to some extent
[29:42] I did he died only a few months ago but
[29:46] one of the things that did happen is
[29:47] this it was
[29:50] um I was living in Moose Lake about 5
[29:53] hours away I get a call my mother and
[29:55] father are both in the old people's
[29:56] home in Madison Minnesota I got a call
[30:00] saying my father was in the uh hospital
[30:02] with
[30:03] pneumonia so I drove down espcially to
[30:06] see him and um some change had taken
[30:09] place in
[30:11] me so that when I walked in the room he
[30:13] was alone there and for the first time I
[30:16] picked up a book my book that I write in
[30:18] I wrote a poem in his
[30:20] presence I had written so many poems in
[30:22] the presence of trees like these so many
[30:24] poems in the presence of women never a
[30:26] single line in the presence of my father
[30:29] so uh this is a poem I wrote It's called
[30:33] sitting no it's called my father at
[30:36] 85 his large ears hear
[30:42] everything a Hermit wakes and sleeps in
[30:45] a hut underneath his gunt
[30:49] cheeks His Eyes Blue Alert disappointed
[30:55] and
[30:56] suspicious complain I do not bring him
[31:00] the same sort of jokes the nurses do
[31:03] when the nurses come in he's
[31:05] right he is a small bird waiting to be
[31:09] fed mostly
[31:11] beak an eagle or a vulture or the
[31:16] Pharaoh servant just before
[31:19] death my arm on the bed rail rest there
[31:26] relaxed with new love
[31:29] love all I know of the
[31:32] tubid I bring to this
[31:35] bed I do not want or need to be
[31:41] shamed by him any
[31:45] longer the general of Shame has
[31:47] discharged him he's probably a
[31:49] lieutenant and left him in this small
[31:52] provincial Egyptian town if I do not
[31:56] wish to shame him then why not love him
[32:01] his long hands large veins
[32:05] capable can still retain hold of what he
[32:09] wanted but is that what he
[32:14] desired some powerful River of Desire
[32:17] flows through
[32:19] him he never phrased what he
[32:25] desired and I am his
[32:31] son he never phras your father never
[32:34] phrased he never put into
[32:37] language what he
[32:38] desired in the United States we put into
[32:41] language what we want we want another
[32:43] television set we want a VCR we want a
[32:46] refrigerator we want uh we want three a
[32:49] good 3.2 beer we want to have a cowboy
[32:53] hat and have some girl come along and
[32:54] touch it that's what we want but in
[32:58] television we never talk about what we
[32:59] desire what you desire is something
[33:01] you're never going to get so that gives
[33:03] it a little uh fragrance wait what do
[33:04] you mean by that we going to desire
[33:06] something that you're not going to get
[33:07] well
[33:09] um someone says I I want to be as great
[33:12] a poet as Shakespeare you're never going
[33:14] I desire to be as great a PO that's not
[33:15] going to happen but it's sweet to desire
[33:18] it in the 13th and 14th century they
[33:21] they did desire they desired God they
[33:23] desired to have God as a lover for
[33:25] example with the provinal poets and all
[33:26] of those and the sufis the Muslims at
[33:28] the same time you know that Muslim poem
[33:31] um roomi poem I want to kiss you answer
[33:36] the price of kissing is your life now my
[33:39] loving is running towards my life
[33:41] shouting what a bargain let's take it
[33:44] that's a PO a desire isn't it it's a PO
[33:47] not a wanting so if our parents could
[33:49] have phrased what they desired our lives
[33:52] would have been different why do fathers
[33:55] have such a hard time talking to Sons
[33:57] about
[33:58] desire about what they really see I
[34:01] don't think the mothers phrase what they
[34:02] desire either yes but uh the grown-ups
[34:04] don't phrase what they desire
[34:06] why well do they know do we know I think
[34:10] I think they broed about it a lot you
[34:13] know my father spent many hours I saw
[34:15] him lying in bed
[34:17] brooding and he was brooding about
[34:20] something and I think it was on what he
[34:22] had desired to do he had to he had to go
[34:25] onto the farm because his his own father
[34:27] had a heart attack
[34:28] he himself read a tremendous amount one
[34:31] of his favorite people was the prince of
[34:32] Wales he read everything about the
[34:33] Prince of
[34:34] Wales now it must be you see that the
[34:37] Prince of Whales
[34:39] abdicated and I think my father felt
[34:41] that he had abdicated from what he
[34:43] desired in order to raise his family and
[34:45] so on I think so that must be one of the
[34:47] connections but so therefore it was
[34:50] painful for him to talk about what he
[34:53] desired everyone comes into the world
[34:55] with a certain way he wants to be
[34:57] fathered
[34:59] and every father comes into the world
[35:00] with a certain way that he wants to
[35:02] Father what if they don't
[35:05] mix but then that's it with most of us
[35:08] isn't it we wanted to be fathered in a
[35:10] certain way and our father didn't do it
[35:11] so we complain but it's better to go to
[35:15] the father and say how did you want a
[35:18] father and he says well the problem is
[35:21] that I wanted a violinist son you know I
[35:24] wanted an athlete son I really did I
[35:27] remember my daughters came first and uh
[35:30] it was three or four or five years
[35:31] before I had the sons and my daughters
[35:32] still say to me Robert you Dad they say
[35:35] do you remember how you used to buy all
[35:37] those little green tractors for
[35:40] us I'd go to the store and buy the I
[35:42] love these little Chand Deere tractors
[35:43] you know and they they knew that I was
[35:46] trying to Father a son and
[35:49] um and they were Charmed but we weird
[35:53] um so therefore you talk about you ask
[35:57] your father how he wanted to father and
[36:00] then you tell him how you wanted to be
[36:02] father you know what I wanted was this
[36:04] and I wanted this and it takes a lot of
[36:06] work to go down to what you want and
[36:08] still because what you wanted you still
[36:11] want and it's good then if you're with a
[36:13] woman to say to her look uh this is the
[36:15] way I wanted to be fathered by my father
[36:17] and I want you to write this down
[36:19] because I'm going to ask you to do it
[36:20] and you better not do
[36:23] it don't do it write it down will you
[36:26] and then when I try to ask that for you
[36:28] to say wait a minute that's one of the
[36:30] ways you want to be fathered I'm not a
[36:33] father oh I missed
[36:37] that and then be sure to ask your your
[36:39] wife or your girlfriend how did you want
[36:41] to be fathered oo wow and if she's able
[36:44] to lay that down and you check up number
[36:46] one you got angry about that last week
[36:48] number two that was the time we went
[36:50] down to California number
[36:53] but she will want to get from you the
[36:55] father and she didn't get from her
[36:57] father and you're the only one that can
[36:59] move into that and help with that and
[37:01] try to get it clear and then you have to
[37:03] say there over and over again I'm not
[37:05] your father you know I kind of wish I
[37:07] were but I'm not and uh I can't give you
[37:11] that and Alice Miller says a wonderful
[37:13] thing she says when you were young you
[37:16] needed something you did not
[37:18] receive and you will never receive
[37:20] it and the proper attitude is
[37:23] mourning mourning is a proper at not
[37:25] blame mourning and she says another
[37:28] thing so wonderful she says
[37:30] um she says uh you know when you came
[37:34] into the world you bought this fantastic
[37:36] thing with you coming from centuries and
[37:38] eons and and you bought this amazing
[37:41] energy in from animal life reptile life
[37:43] other planets and everything and this
[37:45] incredible energy you brought in and
[37:46] your parents didn't want it they wanted
[37:48] a nice
[37:50] boy they wanted a nice
[37:52] girl you couldn't believe it that's your
[37:54] first rejection it's preverbal that's
[37:56] why encounter groups won't get to that
[37:58] that your first rejection is profound
[38:01] they didn't want the energy you brought
[38:03] they want a nice boy or a nice girl so
[38:06] when you're small you realize you can't
[38:07] fight against that stuff your parents
[38:09] want to nice so you make up a kind of a
[38:11] false personality TS ell wrote about
[38:13] that the love song of Jord Prock you
[38:15] invent a false personality and you
[38:17] survived and Mar and then then Jame ell
[38:20] smer says now please you've got to
[38:22] forgive yourself for
[38:24] that because you did it to survive and
[38:28] you did the right
[38:30] thing you did the right thing and the
[38:33] proof of it is that you're alive right
[38:35] now why do you think there's so much
[38:37] confusion today
[38:40] over what men are well you know you can
[38:47] want to put it in terms of high school
[38:48] what were we given as models in high
[38:50] school John
[38:52] Wayne a
[38:54] horse the models we were given for what
[38:57] a man was in high school don't last past
[39:00] the age of 32 or so around 35 men began
[39:04] to realize that the images they were
[39:05] given of what a man is don't work they
[39:07] don't work in their job they don't work
[39:08] in their relationship they don't work in
[39:10] the marriage they don't work so what
[39:11] happens when these High School images
[39:13] fade well I think that uh there's a deep
[39:16] sense of failure and a sense that you're
[39:19] inadequate uh I think that the the
[39:22] absence of the father standing next to
[39:24] the son and giving I don't know what you
[39:26] call Cellular sign significant cellular
[39:29] confidence that we talked of earlier
[39:30] when that's gone um then uh you judge
[39:34] yourself a great deal more and when it
[39:38] seems to you you're failing in your
[39:39] relationship what was it that Maggie
[39:41] scarf said that the typical relationship
[39:44] in the United States involves the woman
[39:46] chasing the man to try to get him to
[39:49] talk
[39:50] more and uh the man fleeing but she
[39:53] doesn't chase him fast enough to really
[39:55] catch him and he doesn't run away fast
[39:57] enough to really get away that's the
[39:59] game that's played but then you see the
[40:03] man can't turn and face her in the way
[40:07] because without a clear sense of what it
[40:09] is to be a man he cannot turn and say
[40:11] wait a minute I know what I want in
[40:13] relationship it isn't exactly what you
[40:15] want let me tell you what it is and so
[40:18] he feels and since the woman knows what
[40:20] she wants in
[40:21] relationship he again feels
[40:23] inadequate so I would say that uh the
[40:27] the primary experience of the American
[40:28] man now is the experience of being
[40:30] inadequate in your work you can't
[40:32] achieve what you want to um you feel
[40:35] inadequate as a man because you don't
[40:37] feel that you have any any close male
[40:40] friends and you don't know why you feel
[40:42] inadequate as a husband because your
[40:43] wife is always saying that you don't
[40:45] talk about your feelings enough and you
[40:47] don't know what your feelings
[40:48] are and I say to women you know men are
[40:51] not hiding their feelings from you uh
[40:53] when they look down in they don't see
[40:55] anything down there
[40:58] um and I know that it's a feeling of
[41:00] numbness that comes early on in life as
[41:03] a man do you remember when you first
[41:05] began to get in contact with your
[41:08] feelings as a man it was because I had
[41:12] decided in in college that I was going
[41:14] to write portra the rest of my life
[41:16] which is a very rash decision um for a
[41:19] Lutheran anyway um um and
[41:24] so I found that my first book is called
[41:28] silence in the snowy fields and what is
[41:31] speaking in that book is not so much my
[41:33] feelings as a kind of envelope around my
[41:36] body which is in touch with the trees
[41:38] and the wind and the air and the pine
[41:41] trees and uh like theow my my my
[41:45] feelings didn't go from here in they
[41:47] went from here out and um it's like um a
[41:52] beautiful um surrounding to your body
[41:56] that puts you in touch with everything
[41:57] else that's alive and I typically wrote
[42:00] my poems by sitting down under a tree
[42:02] for 2 hours and then it was as if the
[42:04] tree said something but uh then I was 36
[42:08] when I published that I still wasn't in
[42:10] touch with my
[42:11] feelings so I think it was about 46
[42:14] around that time I was telling you with
[42:15] that poem that's why I say grief is the
[42:18] door to feeling even being out in nature
[42:20] is not the door to feeling excitement I
[42:22] thought was a door to feeling it isn't
[42:24] that's why rock music doesn't always
[42:26] work in helping opening people to
[42:28] feeling uh excitement is not it with men
[42:31] grief there's some quality of grief and
[42:33] men don't know what they're grieving
[42:35] about it's as if the grief is impersonal
[42:38] with men it's always present you don't
[42:40] know if it's about the absence from
[42:42] their father or it may be about all of
[42:44] the animals that we were in touch with
[42:46] all the millions of years we were
[42:47] hunters and all the animals that died it
[42:49] may be a grief that's in nature itself
[42:51] you remember the Latin term L my R room
[42:54] the tears of things men have lived for
[42:57] centuries out there and they feel that
[42:59] terrific grief of nature in the out of
[43:01] doors and pine trees there are certain
[43:04] there are certain little Groves in
[43:05] England if you walk in there you'll
[43:07] burst in tears because there is grief in
[43:09] nature look I have grief but I don't
[43:11] write poems what do I do about it I
[43:13] don't know that you have to do something
[43:15] with it but I think it's a choice at any
[43:18] second you know in a
[43:21] conversation uh there are little turns
[43:23] you can turn up or down someone says you
[43:26] know uh um my my uh I lost uh my brother
[43:34] 5 years ago at that point you know you
[43:36] can say well we all lose our brothers or
[43:39] you can touch the hand or you can go
[43:42] into the part of you that's lost a
[43:44] brother you can follow the grief
[43:46] downward in this way or you can go
[43:47] upward in the American way you can
[43:49] always tell an American on the streets
[43:51] of Europe because he's
[43:54] smiling so it's really important for us
[43:56] I mean we hired presidents in a row who
[43:59] promised us that we would not go into
[44:00] the grief about the Vietnam
[44:02] War
[44:04] Carter and uh and Reagan n Bush Ford
[44:09] four of them in a row and if Lincoln had
[44:12] been alive do you know how he would have
[44:14] gone into that
[44:15] grief he would have gotten everybody you
[44:18] know 5 years after the Vietnam War and
[44:20] he would have said we we've killed so
[44:22] many people and and and and these
[44:24] veterans are here we we we we have
[44:26] destroyed them ah let's all
[44:35] weep that's that's that's what Lincoln
[44:38] would have done he would have encouraged
[44:39] America to grieve over the the losses in
[44:42] the Vietnam War we still haven't grieved
[44:45] over them only the veterans are
[44:48] grieving this is not right how does a
[44:51] whole people
[44:53] grieve well you don't do it by hiring
[44:57] people like Reagan who you know Reagan's
[45:01] father was an
[45:02] alcoholic and uh when I look at Reagan I
[45:05] know he has not gone through the grief
[45:07] of that so he's in denial when you're in
[45:11] denial over your own father you can deny
[45:14] the budget deficit easily that's not a
[45:17] problem he is the first president we've
[45:20] ever had who is spent the whole
[45:22] presidency in denial and the result is
[45:24] we got all the homeless sleeping on the
[45:26] vents we got to what trillion deficit
[45:28] that's what it's like when you decide
[45:30] not to when you decide not to take that
[45:32] turn down you decide not to go and face
[45:35] your father and do that work then you
[45:36] get Reagan and so uh and so it's a very
[45:41] serious thing because we knew all of
[45:44] that when we hired him in some way and
[45:47] if we are so codependent as a nation
[45:50] that we'll hire this man who didn't go
[45:52] through the adult children of alcoholic
[45:54] work or whatever that is that doesn't
[45:56] speak well for our future
[45:58] well this is territory I'm not very
[45:59] competent to enter but but America never
[46:02] really has come to terms with the shadow
[46:04] of its that's right the Indian we didn't
[46:07] mourn over the death of the Indians and
[46:09] we didn't mourn I think you know Lincoln
[46:12] and whitmann Lincoln felt that mourning
[46:15] in Whitman Whitman in Lincoln and they
[46:18] did moderately well in mourning the
[46:20] Civil War but after that it's been a
[46:22] process of uh not mourning you know
[46:24] Alexander mitcher in Germany has written
[46:26] a book called the inability to mourn
[46:28] about the
[46:29] Germans after the second world war now
[46:32] we're in that same situation we have an
[46:33] inability to mourn so again you see how
[46:37] can we have uh men or women if we if we
[46:40] can't go into grief at
[46:42] all there's one great book on the men's
[46:45] question the only one I know it's really
[46:47] great it's by a German analyst um
[46:50] Alexander mitcher Mi TS c l i c h
[46:55] mitcher just put all the S's and CHS you
[46:57] can get into it and they'll do it he
[46:59] doesn't fool around he doesn't say we
[47:01] have a society that has a weak father we
[47:03] have a society that has an absent father
[47:05] he says we got a society without the
[47:07] father period so I'll give you two ideas
[47:09] out of his book The the first one really
[47:12] amazed me I read this about 15 years ago
[47:14] and astounded me this is what he said if
[47:17] you are not with your father at all
[47:19] times of the day and at all times of the
[47:22] year a hole will appear in the sun
[47:25] psyche
[47:28] and that
[47:29] hole does not fill with little
[47:34] bambies and Walt Disney movies it fills
[47:37] with
[47:40] demons that hole in the sun psyche fills
[47:43] with demons and those are demons of
[47:46] distrust of older men like when I was um
[47:49] when I was a younger my father was
[47:51] alcoholic as I said so therefore there
[47:53] was that hole in me there and the times
[47:55] he was with the bottle is that clear
[47:57] and it was very interesting I started a
[47:59] literary magazine the first thing I did
[48:00] was attack all the older male poets I
[48:03] left I noticed I left the older women
[48:05] alone but the older Mal I went for them
[48:08] and I got my bone and arrowed out and
[48:09] when a when an arrow went right through
[48:11] their bodies it felt really good
[48:14] boy and it wasn't until 10 years later I
[48:16] looked at and said God that is
[48:19] weird and caused them pain I didn't give
[48:22] a
[48:23] damn caused them a lot of pain so you
[48:26] got to look in your own soul and see
[48:29] what effect these demons have had on
[48:34] you and if you do not have the trust of
[48:37] the older men then you'll tend to go to
[48:39] women and get all what what get whatever
[48:41] you want from women and that doesn't
[48:44] work too well because there are certain
[48:46] things that women cannot give do you
[48:48] understand me what I'm
[48:49] saying they try they really do but there
[48:52] are certain kind of assurances that we
[48:54] can only get from older men that you
[48:55] cannot get from women and then we blame
[48:59] the women for not getting it they feel
[49:00] guilty etc etc
[49:02] etc you cannot kill demons it's an old
[49:05] tradition for example Marie Lise on
[49:07] France says that every woman now after
[49:09] the patriarchy has a small figure on her
[49:12] left shoulder about an in and a half
[49:13] tall who says to her you know something
[49:14] you're nothing you're absolutely nothing
[49:16] you're totally worthless you'll never
[49:18] wor at works of art you know why because
[49:19] you're a woman and all women are nothing
[49:21] and she describes this little figure as
[49:23] a
[49:24] demon and I heard a bunch of women say
[49:26] to her one day Miss Von fans can you
[49:28] kill this little demon she said no no
[49:30] you can't kill him all you can do is
[49:31] educate
[49:33] him to be a man means that you need to
[49:36] develop the warrior which means that you
[49:39] um are not always obeying the body a
[49:43] Robert Moore of Chicago who's doing
[49:44] wonderful work on the warrior and the
[49:46] king I heard a tape of his and he
[49:48] said now all of you who are in graduate
[49:51] school if you don't have the war year
[49:54] you're going to be in trouble because
[49:55] you have to do a lot of unpleasant
[49:56] things in graduate school and he said
[49:59] I'm writing a book if I don't have the
[50:00] warrior I'm not going to finish this
[50:02] book The Warrior enables us to to go
[50:04] when the when the body says it's uh
[50:06] let's quit and get some hug andas the
[50:08] warrior says no no no no no your body is
[50:12] okay when you're getting a massage right
[50:13] for now we're going to do the task and
[50:15] we're going to continue Joe Campbell had
[50:16] a great warrior in in in his 20s he read
[50:19] nine hours every day that's the warrior
[50:21] that enables him to do that so the
[50:23] warrior and Men is not always the one
[50:25] that's out there killing people that's
[50:26] not it
[50:27] it's the one who is able to um pursue a
[50:32] task until it's finished and the warrior
[50:35] usually has a cause Transcendent to
[50:37] himself Transcendent to himself the
[50:40] which means I will do it even if I can't
[50:42] explain it to other people yes I'm not
[50:45] doing it for my good I'm not doing it
[50:48] for selfish reasons I'm doing this for a
[50:51] cause that I believe in um the
[50:54] traditional way it said is that the
[50:56] warrior works for the king king and the
[50:58] king is the one connected to the Sun and
[51:02] to to the spirit and to God so that um
[51:07] when the warrior as in our culture uh
[51:10] has no King like Ali North then he gets
[51:13] in
[51:14] trouble um you know the Japanese tell a
[51:18] story about a um it was a little
[51:22] Pond and um the leader of this Pond I
[51:25] don't know disappeared
[51:27] so they hired the the Heron to be the
[51:31] king and the Heron ate up everyone in
[51:33] the
[51:34] pond CU he was a warrior he wasn't a
[51:37] king the warrior eat up everyone in the
[51:40] pond if he doesn't have a Transcendent
[51:41] uh cause so but the American the
[51:45] Americans are are very weak in the
[51:46] Warrior now the American men the
[51:49] Japanese men were strong in the Warrior
[51:51] during the second world war and they
[51:52] somehow transferred that into their
[51:54] briefcases and into their VCRs and and
[51:57] so we don't have Warriors to stand up
[51:59] against them even in the business World
[52:01] Robert Moore again on the warrior has
[52:03] said wonderful things like the the the
[52:05] only Warriors we have in the United
[52:07] States are the negative versions of it
[52:09] the shadow versions who are the drug
[52:10] lords they're the ones we need Warriors
[52:13] in the city who are able to stand
[52:15] against the drug lords but instead of
[52:17] that we have only negative Warriors but
[52:19] when you use the word Warrior most of us
[52:21] most of the people watching and
[52:22] listening are going to say he means the
[52:24] the Slayer of the uh the the Warrior the
[52:27] warrior is not in general terms is not
[52:30] sent out there in order to um to harm
[52:34] and damage others the warrior is a
[52:36] defender of the boundaries when you live
[52:39] in a dysfunctional family then people in
[52:41] the in the family cross your boundaries
[52:43] all the time they will open the door
[52:46] they'll say things their mood is the
[52:48] strongest in the house your moods mean
[52:49] nothing you understand what I'm talking
[52:51] about and when you're three and four
[52:52] years old in relation to to grown-ups
[52:54] you have no boundaries they simply do
[52:55] what they want and sexual abuse mean
[52:57] really means you know that didn't happen
[52:59] to me in a strong way but it means you
[53:01] open the door and you go in there's no
[53:02] way you can you have no
[53:04] boundaries so the the the adult man and
[53:07] the adult woman needs to have a warrior
[53:10] so that they can hold the
[53:12] boundaries so that one way that I see it
[53:15] now is that when we're three and four
[53:17] years old the door knob is on the
[53:18] outside of the
[53:20] door now I have to understand I'm not 3
[53:22] to four years old now I'm a grown person
[53:25] and if I want to get the doorknob on
[53:27] inside of the door I will if I do not
[53:30] wish to be
[53:31] shamed that's my choice but the hardest
[53:35] thing is to realize you're not four
[53:36] years old yeah so therefore with my
[53:39] father I do not want or need to be
[53:41] shamed by him any longer well that means
[53:45] that there had been some movement to get
[53:46] the doorknob on the inside of the door
[53:48] that's called a warrior a warrior is not
[53:49] someone that goes off and killed that's
[53:51] the negative Warrior that's the one
[53:52] that's without the king but each of us
[53:54] needs our Warrior desperately women have
[53:56] a very Fe F warrior in them you know
[53:58] they have a very Fierce Warrior and I
[54:00] would say that the women in the last 20
[54:01] years have much greater sense of their
[54:03] own boundaries than the men do so uh you
[54:06] know I have felt that the men uh the men
[54:09] have suffered a great deal in losing the
[54:10] wild man which is a certain form of
[54:13] sponty connected with the Wilderness
[54:15] itself and uh they've suffered a great
[54:18] deal since the second world war and
[54:20] losing the warrior it's very strange how
[54:22] this works we gave up the king that is
[54:25] we we founded our country with getting
[54:27] rid of the king and you know the king is
[54:29] weak in American men also how could it
[54:30] be otherwise the king being the king the
[54:33] part the the part of the man that
[54:35] determines what he is going to do now
[54:38] what my course is going to be the king
[54:40] can decide that for himself this is the
[54:41] inner King the whole IM one who's down
[54:43] there yes who decides and when he comes
[54:45] in the follow your bliss is what Joe
[54:47] Campbell said that means that the king
[54:49] decides that you don't join IBM and then
[54:52] do what your boss wants you to do that
[54:54] means there's only one king in the whole
[54:56] thing and that's the boss everybody else
[54:57] is a non- king it's the way the world
[54:58] works yeah that's the way it works
[55:00] that's the way it destroys inner Kings
[55:01] in all of the men and in most of the
[55:03] women so uh the king then is that part
[55:06] of you that can decide I mean it's very
[55:08] it's very private too because
[55:11] um there are various kinds of Kings
[55:15] uh when I am with a group of of 200
[55:18] people my king is fairly strong I'll
[55:21] decide what I want to happen that
[55:23] day when I'm with three or four people
[55:25] my king is moderate ly strong but they
[55:28] can still drag me off to a movie I don't
[55:29] want to go to when I'm with one person
[55:32] my king is rather weak and I think
[55:34] that's because of all those Crossing of
[55:36] boundaries and so on when I was a child
[55:38] so that if I go in for example with my
[55:40] wife into a store and there's uh two
[55:43] sweaters one is green and the other's uh
[55:46] uh blue I can't decide and I say to her
[55:50] what are you think she said oh the blue
[55:52] is beautiful immediately the green Fades
[55:55] into some hideous color
[55:57] you understand me I do but I'm troubled
[56:00] by the U by the analogy because we can't
[56:03] go back to being an original an
[56:05] Aboriginal Society we can't become a
[56:07] traditional Society can we cannot
[56:09] restore those images that were
[56:11] transferred to the boy through the
[56:13] initiation can we no but we have a much
[56:17] stronger resilient uh man once he goes
[56:19] through the process they produce a
[56:21] brittle one I think it's for a purpose
[56:23] you know to protect them from the
[56:24] neighboring tribes but so we're not
[56:27] saying that all of that is good what I'm
[56:28] saying is that is that we can't go on
[56:30] any longer without trying to do
[56:32] initiation consciously we can't go on
[56:34] any longer without trying to be
[56:36] conscious of that which affects us
[56:38] because each generation the men are
[56:40] farther and farther separated from the
[56:42] grandfathers and from the Kings and from
[56:44] the inner Warriors and so they're weaker
[56:47] in some way in every generation who is
[56:49] telling us today that we are men who is
[56:51] in charge of the
[56:53] initiation one of the things that said
[56:55] if you do not do the initiation
[56:57] consciously you will do it unconsciously
[56:59] because it'll take place aren't we
[57:01] initiated as men by the sergeant in the
[57:04] Army by the by the corporate executive
[57:07] that we take our first job from by by
[57:09] the professor at the University to some
[57:11] extent but the
[57:14] sergeant is not the equal of the old
[57:17] male initiators because he's not
[57:19] interested in your
[57:20] soul in your soul in your soul he's
[57:23] interested in you're not dying or he's
[57:25] interested in your physical health or
[57:27] he's interested in your obedience but
[57:28] the old male initiators we're talking
[57:30] about King Arthur would be one is
[57:32] interested in the soul of the young man
[57:35] that's what the that's what the young
[57:37] men are missing that there isn't any
[57:39] older men who are interested in their
[57:42] souls and you you mentioned King Arthur
[57:44] he was a mentor to the knights he was
[57:46] the one who stood at the gate yes you
[57:48] could say that a beautiful thing see uh
[57:50] one of the ways to think about a m
[57:51] initiation it goes in this way posibly
[57:54] first stage is bonding with the mother
[57:56] and separation from The Mother We Do the
[57:58] bonding with the mother pretty well in
[57:59] this country we don't do the separation
[58:01] well at all there's no ritual for it
[58:04] secondly bonding with the father and
[58:05] separation from the father now we don't
[58:07] do the bonding with the father well what
[58:09] did Jeffrey Gore say in the Americans he
[58:11] said in order to become American it's
[58:13] necessary first of all to reject your
[58:15] father that's about all it is necessary
[58:17] you don't even attack him as in frud you
[58:19] disregard him as ridiculous as in all
[58:21] those movies that we're seeing in all
[58:23] the film strips and all of the situation
[58:25] comedies in which the men are the
[58:26] fathers are completely ridiculous you
[58:28] know those sure all over television the
[58:30] father's a fool and the the woman is a
[58:33] wonderful person that knows everything
[58:35] and the the man is in bad shape you know
[58:37] and he the woman says you should have
[58:39] contracts and he says what is contracts
[58:42] she tells him what it is you mean the
[58:45] man doesn't know what context is so
[58:48] there is this feeling in which all over
[58:50] situation comedy the young males writing
[58:52] that are rejecting their fathers over
[58:54] again in order to become Real Americans
[58:56] okay so um the second thing is bonding
[59:00] with the father and separation from the
[59:01] father in a culture in which you reject
[59:03] the father automatically is in America
[59:05] often times you don't become bonded with
[59:07] your father until you're 40 or 46 that's
[59:08] what I told you in my story well how do
[59:10] you bond with the father who's absent
[59:12] all the time who goes off to the office
[59:13] 8 10 12 15 30 miles sometimes you have
[59:15] to wait till he's 63 and he's
[59:18] home it's not easy the men that I know
[59:21] say they're 50 years old they're 45
[59:23] years old they call up their father and
[59:25] he's they said here's your mother and
[59:26] they said wait a minute you know I'm
[59:28] going to take you down to New Mexico
[59:30] we're going to go down to New Mexico for
[59:31] 5 days no yes you're going to go I'm
[59:33] going to pay for it and we're going to
[59:34] go well that's that that's a bonding
[59:37] sometimes takes place with their father
[59:38] there the son has to do it son has to
[59:41] make the
[59:42] motion but that's the the stage of
[59:44] bonding that's a part of bonding with
[59:46] the father and after that you still have
[59:47] to do the separation then the third
[59:49] stage is called the appearance of the
[59:50] male mother the male mother the male
[59:52] mother that is a man who does nurturing
[59:55] in a similar way as woman only is not a
[59:57] woman now King Arthur acted that way for
[1:00:00] those young men what does he do cuts his
[1:00:02] arm and gives him the
[1:00:04] blood he nourishes them and nourishes
[1:00:07] their
[1:00:08] souls so this is like Pablo Cal was a
[1:00:11] wonderful male mother every Jazz every
[1:00:13] black jazz musician in this Century has
[1:00:15] had a great male mother round midnight
[1:00:17] was about that you remember the first
[1:00:18] scene of around midnight he walks into a
[1:00:20] hotel room in Paris and you don't know
[1:00:22] what's going on and the black musician
[1:00:24] stands there a long time and finally
[1:00:25] someone says is this where he died and
[1:00:27] he says well I guess so but these rooms
[1:00:29] all look so much alive that was a room
[1:00:32] where his male mother his mentor his
[1:00:34] male Mentor had died well you're talking
[1:00:35] about a mentor you're just a mentor
[1:00:37] you're just using the phrase mother of M
[1:00:39] male mother I'm using it I mean a mentor
[1:00:41] and so King Arthur was a mentor to those
[1:00:44] young men and when when the male mother
[1:00:46] or the mentor comes along it helps the
[1:00:47] young male to separate from his mother
[1:00:49] and from his
[1:00:51] father because he has a man who is not
[1:00:53] his father Who's acting to him both as a
[1:00:55] mother and and a father
[1:00:57] that's the third stage Wordsworth has
[1:00:58] this wonderful poem in which he talks
[1:01:00] about the old man who sat under the tree
[1:01:02] you found that too yes he the old man
[1:01:03] sits under the tree and he says he
[1:01:05] picked me out from all the rosie boys
[1:01:06] and I became a comrade for life I
[1:01:08] couldn't believe that passage when I
[1:01:10] read it and he was in grammar school and
[1:01:12] an old man there at the edge of town
[1:01:13] would talk with him every day and
[1:01:15] Wordsworth at the end says I think he
[1:01:16] had the greatest mind in England do you
[1:01:18] remember that because he had given that
[1:01:20] boy so much that's a perfect example
[1:01:21] that's how you produce Awards work where
[1:01:23] did we get our mentors today I tell the
[1:01:25] men you know you have to look for it
[1:01:27] your father came to
[1:01:28] you you didn't have to look for your
[1:01:30] father but you have to look for your
[1:01:31] Mentor if you want a mentor you have to
[1:01:33] go look for him that means that uh
[1:01:35] usually he's in your field but not
[1:01:36] always if you're an architect you go and
[1:01:38] look for a male Mentor you know I I
[1:01:40] meant Zen Georgie I sto to see Zen
[1:01:42] Georgie one day the one who invented
[1:01:44] Vitamin C got three Nobel prizes and I
[1:01:47] said to him um he was living alone on
[1:01:49] Woodstock and he told me VAR things and
[1:01:51] he when I get out of graduate school I
[1:01:53] me I knew exactly who I wanted to work
[1:01:55] with I would have walked 150 miles to
[1:01:57] work with this man and I did I worked
[1:01:59] with him I loved him and he said I've
[1:02:01] been here 30 years not a single American
[1:02:03] man has ever come in front of to work
[1:02:04] with me I said well maybe they're not
[1:02:07] interested in ideas they're not interest
[1:02:08] in ideas he said you know what they're
[1:02:09] interested in retirement
[1:02:11] plans he was a wonderful old man but he
[1:02:14] was waiting to be a mentor or a male
[1:02:16] mother to Young American scientists and
[1:02:18] they didn't know the tradition and they
[1:02:19] didn't go to him in these traditional
[1:02:21] cultures when these older men played
[1:02:23] this role for young men what were the
[1:02:25] older men what were the male mother's
[1:02:27] doing for the
[1:02:28] boys when the male mother is there and
[1:02:32] the mentor is there one thing he does is
[1:02:35] bless the young
[1:02:38] men and it's so strange that men need
[1:02:42] blessing from older
[1:02:44] men Robert Moore I heard him say in a
[1:02:46] tape if you're a young man and you're
[1:02:49] not being admired by an older man you're
[1:02:51] being
[1:02:52] hurt I like that a great deal
[1:02:56] um so that many women bless young men
[1:03:01] but the man still needs a blessing from
[1:03:03] an older man you know I heard Robert
[1:03:06] Moore say it to a group of men how many
[1:03:08] of
[1:03:09] you have admired a younger man in the
[1:03:12] last two weeks and told him so
[1:03:16] silence how many of you were admired by
[1:03:19] older men when you were young
[1:03:22] silence then he said that sentence if
[1:03:24] you're a young man you do not be in ired
[1:03:26] by an older man you're being
[1:03:28] hurt Robert Moore from Chicago is a
[1:03:31] wonderful man he's beginning to do work
[1:03:33] with men he's has about 11° and I heard
[1:03:36] him the other day and one of the things
[1:03:37] he says men do not learn except in
[1:03:39] ritual space I was astounded at the idea
[1:03:43] men do not learn except in ritual space
[1:03:46] and he said I know from talking to the
[1:03:47] men who' been there that you set up a
[1:03:49] ritual
[1:03:50] space how you don't know how you do it
[1:03:52] but it's done and partly it's done
[1:03:54] because no women are there partly it's
[1:03:55] done because it's in the wood partly
[1:03:56] it's done because older men are there
[1:03:58] now we take all the older men we have
[1:03:59] over 60 we put them all in the front row
[1:04:01] you can't imagine how that helps with
[1:04:03] ritual space these men that I used to
[1:04:05] ask to sit in the front here they had
[1:04:07] never been honored as an older man in
[1:04:08] their whole life they couldn't believe
[1:04:10] it can we do that now shall we do it
[1:04:13] let's do it all the men over 55 would
[1:04:16] you come up here and sit down in the
[1:04:17] front
[1:04:23] row would you come down come on over
[1:04:25] here
[1:04:30] [Applause]
[1:04:35] I told Bill a story last night that uh
[1:04:38] we did one up in um Upstate New York uh
[1:04:42] in July last year at the Old Shaker
[1:04:44] Colony it was very interesting we were
[1:04:45] up in the old Hill where the Shakers
[1:04:47] used to have their stuff we had about 85
[1:04:49] men and they had a big tent up there it
[1:04:51] was a big tent so we were in this tent
[1:04:53] for six days but the fourth day we
[1:04:56] started to go into fathers and so on and
[1:04:58] the young men were very good and they
[1:05:00] started to be very open and talk a lot
[1:05:02] and pretty soon the younger men were
[1:05:04] weeping and and uh with their fathers
[1:05:06] and a lot of weeping went on on the
[1:05:07] fourth and the fifth day on the sixth
[1:05:09] day which was the last morning we had
[1:05:11] the old man here on the front and uh
[1:05:14] there was a wonderful man uh who is C
[1:05:16] Heins was his name Heins and he was 75
[1:05:19] and he was in the Heron clan we had
[1:05:21] herens and we had a we usually get a
[1:05:23] Samba going and everybody dances for
[1:05:25] five or six hours and the Heron Clan
[1:05:27] were brought in at one point to dance
[1:05:28] and they don't know how to dance
[1:05:29] suddenly hin stopped the whole thing and
[1:05:31] hin started to do the Heron
[1:05:38] dance you know it took him five
[1:05:42] minutes all the young men broke off
[1:05:44] immediately went behind hins and they
[1:05:46] did the hand
[1:05:49] Dan so beautiful he knew that the hand
[1:05:53] dance is done slowly doesn't R fast he's
[1:05:56] 75 he knew how to do the herend dance
[1:05:59] and he did that gorgeously and suddenly
[1:06:01] all the young men were following him he
[1:06:03] was doing the herend dance that night
[1:06:05] the next morning we were sitting here
[1:06:08] and all of a sudden hin had um his his
[1:06:12] wife had died three months before and he
[1:06:14] hadn't wept for her because you know
[1:06:17] people don't weep much at
[1:06:20] funerals and he had been given
[1:06:23] permission by the younger men to weep
[1:06:27] and suddenly he started to weep and he
[1:06:30] walked up and another man was over here
[1:06:31] 78 whose wife had died three years
[1:06:33] before and he hadn't wept for her either
[1:06:36] and he got up and went over and those
[1:06:37] two old men started to hold each other
[1:06:39] and
[1:06:40] weep and they wept for 20
[1:06:43] minutes and the young man just sat there
[1:06:46] and we did a little chant while these
[1:06:48] two old men
[1:06:50] wept that's ritual space isn't
[1:06:53] it you talk about the old man giving
[1:06:56] young men Zeus energy uhhuh what do you
[1:07:00] mean Zeus energy well the way the way
[1:07:02] that the king is described in Greek
[1:07:04] mythology is through the image of Zeus
[1:07:07] and
[1:07:08] Zeus Zeus energy is Authority that the
[1:07:12] male the man takes for the sake of the
[1:07:15] community the American Indians uh in uh
[1:07:18] up in Upstate New York for example had a
[1:07:20] strong chiefship the chief was chosen by
[1:07:24] women but once the chief Chief was
[1:07:26] chosen he had to agree to give up all
[1:07:28] property he had nothing that was his and
[1:07:31] the authority that he had was for the
[1:07:33] sake of the community now that's we
[1:07:35] don't have Zeus energy in the
[1:07:37] corporations because they take authority
[1:07:39] for the sake of their corporation they
[1:07:41] take power for the sake of their
[1:07:42] corporation Exxon takes power for the
[1:07:45] sake of the corporation not for the sake
[1:07:46] of the environment where did you get
[1:07:48] your Zeus energy I don't know if I have
[1:07:50] any Zeus energy I could just have a big
[1:07:52] mouth you know that's always a possib I
[1:07:54] happen to know that there are a lot of
[1:07:56] Young Writers and artists and students
[1:07:59] who who look to you as a mentor men
[1:08:02] didn't trust
[1:08:04] me until I was maybe 45 or
[1:08:08] 50 and I don't know what that was I
[1:08:11] noticed it they were
[1:08:14] right so that whether it was they were
[1:08:17] right not to trust me that's
[1:08:19] right if if I don't have a connection
[1:08:22] with my father where is my grounding
[1:08:26] if I don't have a connection with grief
[1:08:28] where's my
[1:08:29] grounding so somewhere along the line
[1:08:32] because of the various disasters of my
[1:08:34] life I must have got in touch with some
[1:08:36] sort of grief um and uh and then I've
[1:08:39] done a lot of work to try to to maintain
[1:08:41] my connection with my father and deepen
[1:08:43] that and um but you know I think that's
[1:08:46] that's something there I don't know what
[1:08:48] it is Robert how can a 46 year old man
[1:08:52] bond with his father after those long
[1:08:57] years of estrangement I wrote a poem on
[1:09:00] that subject and it says some some for
[1:09:03] your said uh it must have
[1:09:05] been it must have been a fire that
[1:09:07] nearly blew out or a large soul
[1:09:10] inadequately feathered that became cold
[1:09:13] and angered some four-year-old boy in
[1:09:16] you chilled by your mother misprised by
[1:09:20] your father said I will defy I will win
[1:09:25] any way I will show them when Alice's
[1:09:29] that's my mother's well-off sister
[1:09:31] offered to take your two boys during the
[1:09:34] Depression you said it
[1:09:36] again now you say the defiant words to
[1:09:41] death this this uh four-year-old old man
[1:09:45] in you does as he likes he likes to stay
[1:09:48] alive through him you you overwhelm
[1:09:54] overlive get on top
[1:09:57] you gave me this and I do not refuse it
[1:10:02] it is in
[1:10:05] me
[1:10:08] so that I realized then that I that my
[1:10:11] father gave me
[1:10:13] this I will defy I will win anyway and
[1:10:17] that's a gift it's not the gift I wanted
[1:10:20] my father my other father was Yates he
[1:10:23] was my male
[1:10:24] mother he was wasn't alive but your Mand
[1:10:27] doesn't have to be alive does that make
[1:10:29] sense to you what does a a male mother
[1:10:32] do that the father doesn't do the father
[1:10:35] cannot do initiation well with the son
[1:10:38] because there's too much tension you're
[1:10:40] both interested in the same woman that's
[1:10:42] a
[1:10:44] problem and um when men recognize that
[1:10:48] their
[1:10:49] father when the initiators are gone then
[1:10:52] there's no one to welcome the young man
[1:10:53] into the into the male world and and all
[1:10:56] young men are angry about that when
[1:10:57] you're looking at a gang you're looking
[1:10:59] at uh young males who have no older man
[1:11:01] to welcome them into the whale world
[1:11:03] they're trying desperately to do it
[1:11:05] themselves they're trying to teach each
[1:11:06] other what courage is how much pain you
[1:11:08] should endure what a cause is they're
[1:11:10] trying to do it doesn't work because
[1:11:12] young males cannot initiate each other
[1:11:14] but they're angry at the absence of the
[1:11:16] older males who are not doing that well
[1:11:18] when this group of old male initiators
[1:11:20] disappears and everything falls on the
[1:11:22] Father the father is supposed to do
[1:11:23] everything and when the young man that I
[1:11:25] taught to realize that their father
[1:11:27] could not have done
[1:11:29] that then they began thinking of the
[1:11:33] things their father did do to try to
[1:11:36] initiate them often times they they're
[1:11:38] touched they weep when they think of the
[1:11:40] possibility so when the Our father was
[1:11:42] only intended to keep us through the age
[1:11:44] of 35 and make sure we didn't get eaten
[1:11:45] by ants and stuff like that he was never
[1:11:47] intended to initiate us and when the
[1:11:49] father is gone as happens so often in
[1:11:52] America
[1:11:53] today often it's just a a single mother
[1:11:57] who is left to do it all the initiation
[1:11:59] that's right and women's try very hard
[1:12:01] with that and I remember I said it that
[1:12:03] thing in Evanson I said
[1:12:05] um you know a woman can bring a boy can
[1:12:09] bring a can bring the boy from the fetus
[1:12:12] to be a boy but she cannot move him from
[1:12:14] a boy to being a man only other men can
[1:12:16] do that and some of the women got angry
[1:12:19] and another woman said I think he's
[1:12:21] right because when I was my boy was in
[1:12:23] high school I knew that he needed
[1:12:25] something harder than I could give him
[1:12:28] and if I did that I'd lose my own
[1:12:30] femininity so is this to say that women
[1:12:33] try very hard with this and it's
[1:12:35] hopeless they cannot really guide a boy
[1:12:39] all the way to being a man that's a job
[1:12:41] for the men to do and if a woman is in
[1:12:43] that situation then she should recognize
[1:12:46] that and try to find some older man that
[1:12:48] she trusts and ask him to hold the boy
[1:12:52] in his
[1:12:53] heart it isn't necessary that take the
[1:12:56] boy to the zoo every other day but many
[1:12:58] young men do not know a single older man
[1:13:02] who encourages them or holds them in
[1:13:04] their heart so to some of the men who
[1:13:07] come to my things I say this next year
[1:13:09] you're not going to pay with me with
[1:13:10] money what I'd like you to do is to go
[1:13:12] out and find a young man who doesn't
[1:13:14] have any father in the house I'd like
[1:13:16] you to hold that boy in your heart which
[1:13:18] means that you you may write him once a
[1:13:20] month you may take him somewhere once a
[1:13:22] month but he knows that he has a heart
[1:13:24] link through you with the male world and
[1:13:27] uh that's a responsibility that the men
[1:13:30] have started have got to take in this
[1:13:31] country they've got to take more
[1:13:33] responsibility for the younger man for
[1:13:36] encouraging the younger man admiring the
[1:13:37] younger man and holding the younger man
[1:13:39] in their hearts how do we get in touch
[1:13:42] with the male mother that's in us how do
[1:13:44] I find in me the male mother that serves
[1:13:47] another young man I would think that
[1:13:50] first of all one would consciously
[1:13:53] reject the idea that all men are in
[1:13:57] competition in business that is the
[1:13:59] primary assumption and in fact it
[1:14:03] happens so that there are very few
[1:14:05] genuine male mothers in
[1:14:08] business there are an exceptions of
[1:14:10] course
[1:14:12] but I would say
[1:14:15] that first of
[1:14:17] all I never realized that younger men
[1:14:21] needed anything I had to give
[1:14:24] them except job yes that kind of thing I
[1:14:28] didn't realize that they are hungry and
[1:14:31] thirsty for a simple connection to an
[1:14:35] older man that's not
[1:14:37] shaming what did the older man say clean
[1:14:40] up your room right you did this wrong
[1:14:42] you have to stay after school you're
[1:14:45] foolish
[1:14:46] stupid and then they go to women for
[1:14:49] Comfort but what if what if they could
[1:14:52] go to to older men for comfort then the
[1:14:54] women wouldn't be so burdened with with
[1:14:55] all these aspirins and
[1:14:57] stuff uh I think it' be a great relief
[1:14:59] to
[1:15:00] women that when the men could go to
[1:15:03] other men for comfort so I have to
[1:15:05] realize that by being an older man I
[1:15:07] have some substance that's helpful to
[1:15:10] younger men and then uh I also have to
[1:15:15] realize that I can perform something for
[1:15:18] them without intending
[1:15:19] to by being consciously aware that they
[1:15:22] need to step from the father to an older
[1:15:25] man to
[1:15:27] God and I'm not a guru because I'm not
[1:15:30] going to I'm not that I people say to me
[1:15:32] you know will you can I be will you be
[1:15:34] my father I say if it doesn't cost me
[1:15:36] anything you know I'll think about it
[1:15:37] but it isn't anything I do that I you
[1:15:40] understand me that you just have to
[1:15:41] agree that that's an important thing as
[1:15:44] as is supporting your family or loving
[1:15:46] your
[1:15:47] wife uh or protecting Earth a fourth
[1:15:51] important thing you can do is to be open
[1:15:53] to the younger men and recognize that
[1:15:55] they they can use a blessing from you
[1:15:58] and the way it's done in a place like
[1:15:59] Russia where there the where the um
[1:16:02] toast is so fantastic the toasts and
[1:16:04] when they do toast at the dinner table
[1:16:06] they will toast a younger man now the
[1:16:08] idea is that they have to see that
[1:16:09] younger man clearly no lying no flattery
[1:16:13] they have to be able to see there and
[1:16:15] then and then at the same time do some
[1:16:18] praise there so do some praise do some
[1:16:22] praise blessing is a form of praise
[1:16:25] remember what Robert Moore said how many
[1:16:28] young men have you admired in the last
[1:16:31] two weeks and told them
[1:16:33] so are you confused about what it is to
[1:16:36] be a man today or about what a society
[1:16:38] expects of you as a man well I've gotten
[1:16:41] a whole lot of contradictory signals in
[1:16:43] my life
[1:16:44] Bill and and I'm you know it's to be
[1:16:48] Superman and Superwoman to be the best
[1:16:52] parent to be the best child to be the
[1:16:54] best person person to be everything to
[1:16:56] everybody and then it still never seems
[1:16:58] to be good enough I feel safer talking
[1:17:00] with men than I do with women and and
[1:17:03] kind of in this vein that I can tell you
[1:17:05] what I think about you and if it hurts
[1:17:07] you somehow that doesn't it doesn't
[1:17:10] affect me but if you were a woman and I
[1:17:11] told you something it hurt you then
[1:17:13] somehow I'd be responsible for hurting
[1:17:15] you but if you're male take it you know
[1:17:17] we're also afraid of women and I don't
[1:17:19] know why that is that's a an interesting
[1:17:21] Discovery to make after so many
[1:17:23] relationships um and right now now I too
[1:17:25] feel a little safer with men and I I
[1:17:28] don't have an explanation for that as
[1:17:30] males you grow up with your emotional
[1:17:32] experience centered on
[1:17:34] women yeah that's right and and and all
[1:17:37] the political and economic and military
[1:17:40] power in the world doesn't erase that
[1:17:43] dependency and uh and so one feels
[1:17:46] hamstrung sometimes in the presence of
[1:17:48] this kind of womanly and we deal with
[1:17:50] that at home we deal with females at
[1:17:51] home but we don't ever have other males
[1:17:53] with the exception of our sons we don't
[1:17:55] ever have other males that we can talk
[1:17:56] that about but I can talk to my wife
[1:17:57] about female point of view and and that
[1:18:00] but I'm very selom do I get together
[1:18:01] with guys and talk about it I realized I
[1:18:04] desperately want to heal my relationship
[1:18:06] with my father and it's very difficult
[1:18:08] for me and I I see a lot of issues in my
[1:18:10] life that I become frustrated with with
[1:18:13] myself and I blame myself a lot and now
[1:18:16] I realize my dad is as strong as my
[1:18:18] feelings are for and against him still
[1:18:21] very important to me and I do much
[1:18:23] better with that when I really realize
[1:18:25] that there are other men that also have
[1:18:27] that as an important issue in their
[1:18:28] lives for some of us the problem is all
[1:18:30] the more poignant our fathers have died
[1:18:33] how do we resolve that I mean I can feel
[1:18:36] it my voice my voice is changing now as
[1:18:39] I try to express why do you think your
[1:18:41] voice is changing because of the emotion
[1:18:44] I mean uh thank you um what do you need
[1:18:48] to heal with your
[1:18:51] father
[1:18:52] list I'm not sure what it is
[1:18:55] tried to show love and it was
[1:18:58] rejected tried to seek advice and it was
[1:19:01] a put
[1:19:03] down well one of the reasons I came is
[1:19:06] because there seems to me to be for
[1:19:08] years an incredible lack of strong men
[1:19:11] clear men powerful men in this world and
[1:19:14] Robert blly is one of those men of power
[1:19:17] amen and I really I always grew up
[1:19:20] believing that nature Bard a vacuum and
[1:19:23] what I see is that we've got gotten so
[1:19:25] close to a complete vacuum of powerful
[1:19:28] male men in this world male models of of
[1:19:31] clarity initiated men that we men are
[1:19:34] trying to ReDiscover
[1:19:36] fire and and that is the quest are you
[1:19:40] aware that some people say this is a
[1:19:41] throwback a regression to the
[1:19:43] segregation of the past to the time when
[1:19:45] men had their own private clubs and
[1:19:47] could talk about things without worrying
[1:19:49] about anybody catching onto their
[1:19:51] secrets that this is a throwback I don't
[1:19:53] think it's that way at all women learned
[1:19:56] that they will say certain things when
[1:19:57] men are not
[1:20:00] present women will talk about certain
[1:20:02] things when men are not
[1:20:04] present and that's surely true of men
[1:20:07] because the sexist can shame each other
[1:20:09] so
[1:20:10] easily so for the men getting near their
[1:20:13] grief it's really important that it be
[1:20:14] done in the presence of men are you so
[1:20:17] it isn't an attempt to exclude women in
[1:20:19] that sense at all you think that men
[1:20:21] have a harder time with relationship
[1:20:23] than women I I think that men cannot mix
[1:20:26] words with feelings as well as women and
[1:20:28] this has been known for a long time but
[1:20:31] sometimes the fury of the male happens
[1:20:34] because the woman is able to go ahead of
[1:20:36] him go ahead of him finishes his
[1:20:38] sentences for him goes on ahead and and
[1:20:41] and and and he cannot do it the mix
[1:20:45] isn't there it takes him a long time to
[1:20:47] learn how to do that 40 or 50 years the
[1:20:49] woman can often do it at 14 and some of
[1:20:51] the Rage of men has to do with that so
[1:20:54] it's important for men to be together
[1:20:56] and expressing their feelings at their
[1:20:58] own pace which is slower than women's
[1:21:00] Pace at their own pace and then
[1:21:02] eventually they come down into grief and
[1:21:04] they come down into some other place the
[1:21:06] amount of feeling on the fourth day of a
[1:21:08] men's group alone is is unbelievable
[1:21:10] fantastic to someone who hasn't been
[1:21:12] there that the um uh that the they will
[1:21:16] show more feeling and Amaze themselves
[1:21:18] with the depths of their feelings and
[1:21:21] many times they wouldn't have shown that
[1:21:22] to a woman later they can do so what
[1:21:25] does all of this have to do with with
[1:21:27] poetry well you know there are two kinds
[1:21:31] of men's groups in one kind of men's
[1:21:32] groups you you you use psychological
[1:21:35] jargon which is okay but those men's
[1:21:37] groups usually end up complaining about
[1:21:39] their wives for three months and then it
[1:21:41] stops the other kind of men's groups in
[1:21:44] which they use mythology and fairy
[1:21:45] Stories the fairy stories were in this
[1:21:47] territory long before us and when you go
[1:21:50] into the male area through the fairy
[1:21:51] story you find that many men have had
[1:21:54] this suffering long before you so
[1:21:56] therefore mythology I have found to be
[1:22:00] wonderful in teaching in teaching and
[1:22:02] trying to teach to use story and
[1:22:04] mythology fairy tales in particular yeah
[1:22:07] why well they're not connected to any
[1:22:09] one God you see a fairy tale and a myth
[1:22:11] are alike but the difference is that the
[1:22:13] name of the God is not mentioned in the
[1:22:14] fairy story so therefore it's a social
[1:22:16] form and can be told with jokes or in
[1:22:17] any way but it still contains all the
[1:22:19] energies in the in the in their genius
[1:22:22] so as for poetry
[1:22:25] uh Gary Snider said the wonderful thing
[1:22:28] the function of the poet is to find out
[1:22:30] what part of the mythology is useful in
[1:22:32] his life
[1:22:34] time Milton did
[1:22:37] that made the wrong choice in my opinion
[1:22:40] but that's what he did so therefore the
[1:22:42] old connection to the poet with
[1:22:44] mythology is centuries and centuries old
[1:22:47] the poet is not connected primarily only
[1:22:49] to the lyric poem or the poem of feeling
[1:22:51] but he's someone who filters the
[1:22:52] available mythology and people have
[1:22:55] praise me for what I've done with the
[1:22:56] men it's nothing but finding a couple of
[1:22:58] fairy stories that are useful that's all
[1:23:00] it amounts
[1:23:02] to after a long walk in the woods
[1:23:05] clearcut for
[1:23:06] lumber lit up by a few young
[1:23:09] Pines I turn
[1:23:12] home drawn to
[1:23:16] water a coffin like band softens half
[1:23:19] the
[1:23:21] leg draws the shadow down from Westward
[1:23:27] Hill it is a massive masculine Shadow 50
[1:23:31] male sitting together in hall or crowded
[1:23:34] room lifting something indistinct up
[1:23:40] into the resonating
[1:23:42] night the woman stays in the kitchen and
[1:23:46] does not want to waste fuel by lighting
[1:23:49] a lamp while she waits for the drunk
[1:23:52] husband to come home
[1:23:55] [Music]
[1:23:59] and when he does she serves him food in
[1:24:05] silence what does the son
[1:24:08] do he turns
[1:24:10] away loses
[1:24:14] courage goes Outdoors to feed with Wild
[1:24:18] Things lives among dens and Huts eats
[1:24:24] distance
[1:24:25] in
[1:24:26] silence he grows long Wings enters the
[1:24:31] spiral
[1:24:35] Ascent how far he is from working men
[1:24:38] when he is
[1:24:40] 40 from all
[1:24:44] men the male singing chant far out on
[1:24:49] the water
[1:24:51] grounded in downward shadow
[1:24:55] [Music]
[1:24:57] he cannot go
[1:24:59] there
[1:25:02] because he has not
[1:25:06] grieved as humans
[1:25:11] grieve if someone's head was cut off in
[1:25:14] my family whose was
[1:25:17] it the
[1:25:19] mothers or the
[1:25:22] father's or his
[1:25:30] the dark comes down
[1:25:34] slowly the way snow
[1:25:37] falls or herds pass a cave
[1:25:41] mouth I look up at the other
[1:25:46] Shore it
[1:25:48] is
[1:25:52] night from Austin Texas is this has been
[1:25:55] a gathering of men with Robert blly I'm
[1:25:58] Bill Moyers
[1:26:03] [Music]
[1:26:10] [Music]
[1:26:32] [Music]
[1:26:41] [Music]
[1:26:53] is e
[1:28:53] e e