Menschen & Orte
Camp OrganizersCamp FacilitiesKnowledge BaseInspirationPlattform-Funktionen
Intelligente dynamische PreisgestaltungTicket-KategorienSitzplatzreservierungWarenkorbabbruch-WiederherstellungBesucher-WiedergewinnungSpenden & StaffelpreiseAffiliate-SystemTicket-ScannerRabattcodesIndividuelle FragenTicket-TeilenUpsells & ExtrasAnalysen & BerichteE-Mail-SequenzenWarteliste / Benachrichtigen / ErinnernAlle Funktionen anzeigenÜber unsSinger · Kathmandu
Ani Choying Drolma is a Buddhist nun whose voice has carried Tibetan sacred chants from the meditation halls of Kathmandu to concert stages worldwide. Born Choying Drolma in Nepal, she took ordination as a nun in the Vajrayana Buddhist tradition and has spent more than three decades balancing monastic discipline with a recording career that introduced traditional chant to global listeners unfamiliar with the liturgical music of Himalayan Buddhism.
Her repertoire draws directly from the Tibetan Buddhist canon, particularly devotional chants to Tara, the female bodhisattva of compassion, and mantra recitations used in daily monastic practice. Where many Western adaptations of sacred music layer production or reinterpretation, Ani Choying preserves the melodic contours and Sanskrit-Tibetan phonetics of the original liturgy, often accompanied only by Tibetan singing bowls or damaru drums. Her voice, a clear soprano trained through years of ritual recitation, delivers these texts with minimal ornamentation, maintaining the meditative function they serve in monastery settings.
Her recording career began in the late 1990s when guitarist Steve Tibbetts, who had been traveling in Nepal, proposed a collaboration. The result was *Cho*, released in 1997 on the Hannibal label, which paired her unaccompanied chant with Tibbetts' sparse guitar textures. The album brought her music to audiences in North America and Europe and marked the beginning of a series of recordings including *Selwa* and *Inner Peace*, albums that remained close to traditional forms while reaching beyond the devotional community. In 2004 she released *Moment*, and later *Smile* and *Warmth*, each documenting different facets of the Tibetan chant repertoire.
Ani Choying was raised in Kathmandu and ordained at a young age under the guidance of Tulku Urgyen Rinpoche, a respected Dzogchen master who established Nagi Gompa, a nunnery perched on the forested slopes above the Kathmandu Valley. She has lived and practiced at Nagi Gompa for much of her adult life, a community where nuns maintain a schedule of study, meditation, and ritual service. Her decision to pursue music was initially unconventional within her monastic environment, but she framed the work as an extension of dharma practice, using royalties and performance fees to fund educational and social welfare projects in Nepal.
Beyond recording, she founded the Arya Tara School in Kathmandu, a boarding school offering free education to girls from marginalized communities across Nepal, including remote Himalayan villages where access to schooling remains limited. The institution provides instruction in Nepali, English, Tibetan language, and Buddhist philosophy, and has educated hundreds of students since its establishment. She has also supported the Nun's Welfare Foundation, which funds healthcare, education, and infrastructure for nuns in Nepal and India. Her international concert schedule has taken her to venues in the United States, Australia, Japan, and across Europe, often performing in theaters, meditation centers, and festivals focused on world sacred music.
Ani Choying continues to reside at Nagi Gompa when not traveling, maintaining her monastic vows and leading group practices. She periodically tours to support the Arya Tara School and related humanitarian projects, and remains active in recording work that documents lesser-known Tibetan liturgical traditions. Interviews with outlets including the BBC and *Tricycle: The Buddhist Review* have profiled both her music and her advocacy for educational access in Nepal.
For listeners seeking an entry point into Tibetan Buddhist chant that honors both tradition and accessibility, Ani Choying Drolma offers recordings that function as both devotional practice and contemplative listening.
Worth Knowing
Ani Choying Drolma is a Buddhist nun, social worker, and sacred singer whose distinctive integration of monastic practice, community service, and musical performance has drawn attention from listeners interested in how contemplative traditions translate into real-world engagement. Unlike many spiritual artists who operate primarily in the recording or teaching spheres, she embodies an active commitment to Buddhist monasticism while simultaneously working in social service—a less common combination that gives her practice credibility rooted in lived commitment rather than aesthetic performance alone. Her work resonates with those seeking spiritual expression that doesn't retreat from the world but meets people where they are, combining the rigor of monastic discipline with practical compassion in social contexts. With over 75,000 Spotify followers, she's built an audience among listeners drawn to sacred singing and those interested in how Buddhist nuns navigate contemporary life and social responsibility. Her presence across multiple roles—nun, artist, social worker—makes her distinctive within the landscape of spiritual musicians and teachers who often specialize in one domain.
Discover More
Continue your journey
BrightStar is the global directory of artists, teachers, and healers in the wellness and spiritual movement. Find your next experience — or add yourself.
Browse 24,000+ curated profiles across kirtan, yoga, meditation, and beyond.
Explore directory →Kirtan, retreats, sound baths, breathwork, ceremonies — happening this week.
Browse events →Are you an artist, teacher, or healer? Get listed — free, AI-assisted, live in minutes.
Get started →